The breeze in Beijing in early autumn is slightly cool. Beijing Kerry Center, which has always had a business, high-end, fashionable and trendy temperament label, has a different scene. From September 2 to 4, Beijing Kerry Center teamed up with Shanshan Market to create the "Always On Fair No Night, Beautiful City, Beautiful Scenery, Blooming in the Quiet Environment" intangible cultural heritage night economic market. The most beautiful water curtain garden in the capital CBD centered on "Chinese Deep Mountain Aesthetics" culture brings a surprise feast of intangible cultural heritage that combines music, movies, cultural and creative handicrafts and food, allowing the traditional culture of Dashan to enter commercial and international cities, re-giving it a trendy and young form of expression.

Walking into the most beautiful water curtain garden in Beijing's CBD, the Chinese-style gauze dances in the wind, and the CCTV headquarters building stands tall behind it. Towering high-rise buildings are like mountains in the city, but this "mountain" is more convenient, more enlightened, and more diverse. Handicrafts and local traditional intangible cultural heritage from the depths of the mountains have quickly become popular here and have become popular check-in spots, attracting groups of young people to stop and watch and rush to snap up.

Accompanied by live band performances and a dazzling array of handmade experiences and handmade cultural and creative stalls, a series of interactive experience activities that are participatory, ornamental and interesting are presented one by one. There are three areas in the outdoor part. The upgraded version of the market allows those who come to experience it to feel the thousand-year-old market culture. Social development is progressing rapidly, and markets have gradually faded out of people's view. Shopping malls and shopping centers have slowly replaced their existence. When returning to life, people are often more willing to come to markets to "search for treasures." In particular, cultural and creative products and intangible cultural heritage works with cultural connotations in ethnic minority areas are more attractive.

Wuyejia City has entered the bustling CBD, and intangible cultural heritage has lit up the capital's "night economy". The more prosperous the city, the more prosperous the nightlife. It is also evening, some places have already fallen asleep, while in large cities, the lights are often bright in the early morning. How to create a better, more positive and more connotation nightlife culture and promote the development of night economy is the answer that merchants have been looking for in recent years. Wuyejia City organically combines cultural and creative products, fresh food, flowers and fabrics, traditional handicrafts, band performances, intangible cultural heritage displays and other cultural tourism activities and commercial activities. It has created a nightless city with strong cultural connotations and novel trend experiences.

Walking into the indoor exhibition area, you will be greeted with a strong national art style. The increasingly popular intangible cultural heritage not only carries China's traditional culture and historical memory, but also demonstrates the wisdom and artistic thinking of the Chinese working people. Today, as traditional handicrafts are gradually industrialized, more and more items in our lives are made by machines. Although the things produced are more standard, they always feel that something is missing. In fact, what is missing is nothing else but the time and energy invested by those craftsmen. In other words, what is missing is emotion.

What is commendable is that in a modern society where the pace of life is getting faster and faster, and in a life where people pursue practical results and catch up with progress, there are still a group of people who adhere to traditional handicrafts. An intangible cultural heritage handicraft may take days, months or even years to complete, while machine production may only take days, hours or even tens of minutes to complete. However, it is this handmade production day after day, year after year that makes intangible cultural heritage become "intangible cultural heritage". Traditional culture may not come so quickly. If we are accustomed to fast-paced life, we should appropriately put down our steps and patiently appreciate a purely handmade intangible cultural heritage art. How to protect and inherit intangible cultural heritage depends not only on experts and scholars, but also on young people who are willing to learn and understand.

This pure handmade leather embroidery bag is very popular in deep mountain markets. According to reports, the embroidery style of each bag is different, and this kind of embroidery also has a special name, called "horsetail embroidery".

Horse tail embroidery is a special embroidery technique passed down by Shui women from generation to generation, using horse tail as an important raw material. It is a traditional folk craft and is known as the "living fossil" of embroidery. This unique folk traditional craft of the Shui people is distributed in Shui people villages in Sandong, Zhonghe, Tingpai, Tangzhou, Shuilong and other towns in Sandu. It is one of the oldest and most vital original art in Sandu Shui Autonomous County, Guizhou Province. It is called the "living fossil" of embroidery and is a precious artistic material for studying Shui people's folk customs, folk customs, totem worship and national culture.

The horsetail embroidery process is very complex. The embroidery made using this process has a shallow embossed feeling, and the shape is abstract, general and exaggerated. Because its craftsmanship can only be made by hand and cannot be replaced by machine embroidery, it is also more precious.

In the interior of Kerry Center, we can see many intangible cultural heritage products brought by the deep mountain market. Almost every major production is an isolated product, only this one. And those mass-produced handworks are also sketched out little by relying on intangible cultural heritage inheritors. Beijing cashmere bird is the general term for traditional handicrafts such as flowers, birds, insects, grass, animals, and landscapes made of silkworm velvet. The production of cashmere birds in Beijing began in the early Qing Dynasty and has a history of more than 300 years. In the process of development, it gradually formed its own unique artistic style. It fully demonstrates the wisdom, wisdom and superb skills of the ancient working people. It is now designated as a national-level intangible cultural heritage preservation project by the Ministry of Culture.

As an ancient traditional folk art, the cashmere bird (flower) appeared before the Tang Dynasty in China. However, the craftsmanship was simple and rough at that time, and by the Tang Dynasty, the production of cashmere birds reached a high level of craftsmanship. China's cashmere birds (velvet flowers) are divided into two major schools: the northern school headed by Beijing and the southern school headed by Nanjing and Yangzhou. In a broad sense, the Beijing cashmere birds (velvet flowers) include cashmere flowers, birds, insects, grass, animals, auspicious words, patterns, figures and other various cashmere products developed from headwear and velvet flowers in folk handicrafts.

A gift from the Buyi people. Among all the products in the exhibition area, there is such a surprising product. The blue velvet cover is embroidered with a prickly pear flower pattern with flat embroidery. The notebook made of recycled paper is very eye-catching. Opening your notebook will reveal a handwritten thank-you note and a photo. This letter of thanks comes from the Buyi embroidery ladies, who are the makers of this notebook. Their sincere words are touching. They rely on the labor of their hands and get corresponding remuneration by making such notebooks to support their families and children. A photo records the true appearance of the embroiderers and also conveys the deep culture deep in the mountains.

With the development of the Internet and the development of new business models, more and more intangible cultural heritage products have been "resurfaced". They come out from the depths of the mountains, they come out from the extreme cold plateau, they come out from the vast grasslands, and they come out from the forest, sea and snow fields, bringing rich traditional culture and exquisite handicrafts to people.