The song "Chengdu" has a soothing and flowing melody that has been widely spread. Someone transplanted it to "Nanping", giving it a sense of closeness.

Compared with the one around Jiefangbei in Chongqing, which has a trendy and lush style with glass walls and doors, this B & B near Kuanzhai Alley in Chengdu has excellent facilities, simple and elegant, a bit of Japanese style, and is equally pleasing to the eye.

Walking in the great mountain city of Chongqing and walking in the plains of Dacheng are full of confidence and expectations.

In the rain, Du Fu Cottage was covered with wet bamboo, wood and fallen leaves. There were not many tourists on the roads in the garden, which made me feel particularly peaceful.

The temple hall is simple and elegant, with winding paths and small bridges interspersed and connected pavilions, platforms, ponds, and pavilions. The sun is covered by dense trees and green bamboos, and the white walls and red walls sandwich the road deep and quiet.

Du Fu once wrote: "In August, the high autumn wind roared and swept three thickets on my house, and Mao Fei crossed the river and sprinkled the suburbs of the river... There are tens of thousands of buildings in the vast building, and all the poor people in the world are happy. If the wind and rain are not moved, they are as safe as a mountain. Alas! When did I suddenly see this house in front of me? My house alone was broken and died of cold?"This shows his poverty in his later years.

Later generations respected him as a "poetry saint". The "Chengdu Cottage" has been repeatedly destroyed and built, rebuilt and expanded throughout the dynasties. Chaimen, Flower Path, Poetry Corridor, Huanhua Temple, Dayaya Hall, Cottage Shadow Wall, Wanfo Tower... The beauty and clarity are all in the poetic and picturesque spring scenery in the garden.

In the "Ministry of Works Temple", there are a statue of Du Fu and a stone bust dating from the 30th year of Wanli of the Ming Dynasty (1602). They are the earliest stone carvings left in the thatched hall.

On the side of the stone pavilion of the "Shaoling Cottage" and the stone side of the "Former Residence of the Cottage", Du Fu was worried about the country and the people in front of the thatched hut. In the "Spring Night Happy Rain Garden", Du Fu and his wife and children were holding the spring rain, as if they heard him chanting,"Good rain knows the season, when spring will happen..."

On one wall of the "Du Shi Calligraphy Woodcut" corridor, more than a hundred pieces of Du Shi calligraphy woodcut works are hung, and on the other curved corridor wall is inlaid with stone paintings of Du Shi calligraphy, which is of great ornamental value.

At the "Tang Dynasty Ruins Exhibition Hall", at the end of 2001, a large area of Tang Dynasty life sites and a number of Tang Dynasty cultural relics were excavated in the thatched cottage. The historical relics of Du Fu's thatched cottage confirmed Du Fu's description of the living environment and living scenes.

"Jingdu Hall"--Love the Cottage, showing Mao Zedong, Zhou Enlai, Zhu De, Deng Xiaoping... The pictures, signatures, inscriptions, etc. of Chinese politicians and celebrities, world leaders, and celebrities at home and abroad visiting the Cottage show the huge cultural influence of Du Fu's Cottage.

I also saw such a saying in the Cottage,"People can forget the birthplace of Du Fu and the burial place of Du Fu, but they will never forget Du Fu's Cottage." I recalled...

Get off the bus at Wuhou Temple Station and navigate into a lively but inconspicuous snack street. When he asked the stall owner, he said that this was Jinli. It was raining heavily, so it was inconvenient to stay and hurried straight to Wuhou Temple.

After coming back, I realized that I was not passing through Jinli Ancient Street, but only a section of the surrounding road. The rain blocked my planned trip to Jinli.

The admiration for Kong Ming began with the comic book and novel "The Romance of the Three Kingdoms" when he was a child. Zhuge Liang was a real historical figure. He should know from junior high school history textbooks and was a hero in his youth.

Walking into the Wuhou Temple, you will find the cigarettes winding around it solemn and solemn, which has its own merits with the poems and paintings of Du Fu's Cottage.

I didn't walk through the main gate, but I followed my footsteps to visit and watch. It was inevitable that I would be confused and repetitive, or because I didn't do my homework well at home.

Sanyi Temple, Wuhou Temple, Han Zhaolie Temple, Wenchen and Military Officials Corridor, Tang and Ming Steles, Three Kingdoms Cultural Exhibition, Huiling... Later, I basically did the opposite by comparing the guide map.

The Wuhou Temple is full of green cypresses, and I can't help but think of Du Fu's "Xiang of Shu","Where to find the Prime Minister's Ancestral Hall? It is densely covered with cypresses outside Jinguan City. The green grass reflects the steps from the spring, and the orioles across the leaves sound in the sky. Three times frequently troubled the world's plans, and the two dynasties helped the hearts of the old minister. Before he can finish his apprenticeship, he dies first, and the hero will be filled with tears."

Du Fu came here to pay tribute to Zhuge Liang. I am deeply delighted to visit the Wuhou Temple over the past 1,700 years.

Sanyi Temple houses statues of Liu Bei, Guan Yu and Zhang Fei, who are the three holy rites in Taoyuan. In Jingyuan Hall, Zhuge Liang holds a feather fan in his hand and his eyes are calm and peaceful. In the Han Zhaolie Temple, Liu Bei holds his hands on his chest with dignity and dignity.

There are fourteen civil officials and generals in the gallery on the east and west sides, all of whom are wise and powerful. There is a small stone tablet in front of each statue, with their names and lives posted.

Pang Tong was the first civil official, and Zhao Yun was the first general. He wore the uniform of a civil official. I don't know why. Later investigation showed that this was a portrait reshaped in the twenty-ninth year of Daoguang of the Qing Dynasty. Due to the fact that civil officials in the Qing Dynasty were superior to military officials, Zhao Yun also had the characteristics of careful thinking and careful conduct of civil officials, both civil and military. Only then did he understand that he was among the generals and dressed in the uniform of a civil official, and that he deserved his reputation.

A plaque "Famous in the Universe" hangs in the Hall of Zhuge Liang, and a couplet written by Zhao Fan, a Qing Dynasty man, hangs at the gate of the hall-"If you can attack the heart, you will disappear automatically. From ancient times, it is known that soldiers are not warlike";"If you don't judge the situation, you will be lenient and strict. Later, we must think deeply in governing Shu." This is a well-known couplet. It is still a great wisdom for today's China and the world.

In the Tang Dynasty, the "Monument to the Ancestral Hall of Zhuge Wuhou, Prime Minister of Shu Han Dynasty" was erected in the fourth year of Yuanhe of Tang Xianzong (809 AD). It praises Zhuge Liang's martial arts, high character and integrity, and his merits will last forever in the hearts of Shu people.

The inscription was written by Pei Du, the famous prime minister of the Tang Dynasty, written by the calligrapher Liu Gongchuo, and engraved by the famous craftsman Lu Jian. They are all famous artists. Because of their excellent writing, calligraphy, and carving skills, it was called the "Three Wonders Monument" by later generations.

In 227, before Zhuge Liang's Northern Expedition to Wei, Liu Chan, the Latter Ruler,"... Being close to virtuous ministers and distant from villains is the reason why the early Han Dynasty flourished. Being close to villains and distant from virtuous ministers is the reason why the Han Dynasty was decadent... Your Majesty should also self-help, consult with good opinions, and closely follow the edict of the late emperor. I am extremely grateful for this favor..." It shows Zhuge Liang's determination to devote his life to his heart and die.

The inscription on Zhuge Liang's "Former Graduation Table" in the cursive script of Yue Fei is majestic, and you can feel the scene of his vigorous and fierce spirit, writing rapidly in cadence, and writing with a dragon and snake in one breath.

The Three Kingdoms Culture Exhibition Hall houses many books on the culture of the Three Kingdoms and a brand new set of 60 comic books on "The Romance of the Three Kingdoms". I feel very cordial to meet my friends when I was a boy. Why don't I reprint and reprint them to feed fans?

Under the stele of Emperor Zhaolie of the Han Dynasty, I don't know who presented a bunch of green plants and white flowers that were particularly eye-catching.

The rain gradually stopped after leaving Wuhou Temple. I missed Jinli Ancient Street outside Wuhou Temple. I scanned the code with my mobile phone and paid for the cultural and cultural tourism bus, which went directly to the narrow alleys.

At a glance, the alleys are crowded with people. The wide and narrow alleys retain residential buildings from the late Qing Dynasty and the early Republic of China. There are both single-door courtyards and high-wall mansions. The masonry alleys are no more than six to seven meters wide. Many famous food and craft products are in the courtyards, on the corridors, and in the rooms, it feels like entering the homes of people in the ancient street.

The doorways of each house are decorated differently, with a variety of ancient colors. The true market style is compared with the layout of shops lined in ancient streets in other cities.

Families of Shu brocade, lacquerware, silverware, bronzes, wood carvings, flower umbrellas... All kinds of handicrafts, the store names and plaque styles of each house are either ancient and elegant or strange and trendy.

Bars, restaurants, teahouses, galleries, music bars, Sichuan Opera House, Slow Life Experience Hall in the alleys and courtyards... Tourists can taste Chinese and Western cuisine and enjoy leisure in the alley.

There are a wide variety of dishes, including hot, sour, salty and sweet snacks, as well as the unsung "Guokui","Shuangliu Rabbit Head", the "Three Cannons" of glutinous rice cake balls thrown on the drum surface and then bounced back into the dustpan bean powder,"ear-picking" loungers in a few steps, an Arab colorful sand bottle painting shop... Different flavors and styles.

On a gray brick wall, there is a horse with a head and left front leg outside the wall, and its body and three legs are on the wall. A halter is tied to a ring on the wall. A strange sculpture and portrait of a horse, and there is also an old horse stone on the wall next to it.

A brick cultural and folk photo wall in the well alley truly reproduces the life picture of the ordinary people in old Chengdu, leaving people with memories of the style of the wide and narrow alleys in the 1960s and 1970s.

The nearby Xiaotong Lane is quiet and empty. There are gray old-fashioned buildings along the street, old photos of the market similar to the well alley along the way, and few cultural and creative shops are ignored. Once upon a time, the reputation of the land of cultural and green has been washed over time...

The weather was fine and the spring breeze was very pleasant. After that, the trip to the panda base, Sichuan and Chengdu museums, and several major Taoist temples, temples, and parks got their wishes one by one.

When I was in Fuzhou, I never went to see the panda Panpan. It passed away in the winter of 2016 and came to Chengdu to see pandas made up for this lesson.

There is a winding road on the hillside, with thousands of green bamboos on both sides slanting out like "people" to cover the sun. Panda halls, nursery groves, and activity venues in the mountains are distributed among green trees and green bamboos. A peacock turns on a distant mountain rock. Beautiful head, observing something around, like a silhouette.

Pandas are leisurely and contented in an environment similar to nature, sleeping soundly on tree branches, climbing up and down to play by themselves, or sitting on the ground, stroking and chewing bamboo, completely disdainful of the tourists 'calls, making people laugh.

Some of their coat colors are clear in black and white, while some are yellow and black. They are all healthy, cute, naughty and cute. I remember a previous TV report where a "Compassion Heart" person asked about the abuse of pandas here. Hehe, is it his eyes?

In Swan Lake, black and white swans are cruising gracefully in pairs, sometimes burying their heads in the water, sometimes swimming slowly, and sometimes running on the water to take off and land. Several green-headed yellow-feathered ducks quietly forage and rest in the water and on the shore.

The lake bank with green vegetation, the winding trestle around the lake, the rose garden where the grass grows and the orioles fly, the magnificent panda shadows, the colorful butterfly specimens, the panda hats and decorations on the heads of boys and girls... The spring light is full of joy.

The buildings, statues, carvings, paintings, and decorative arts of temples, Taoist temples, and gardens are the essence of a long history and culture. They will visit every opportunity. I have no belief in gods, but only worship good and follow fate, and I feel at ease.

I very much appreciate the couplet on the small door of Wang Shenzhi's opening of the first temple in Fujian, and the site of the "North Temple":"It's good to recite evil people and burn incense; it's okay to be loyal and upright without bowing."

Qingyang Palace Hunyuan Hall, Sanqing Hall, Doumu Hall, and Tangwang Hall are built on a central axis. The halls are of various forms, magnificent and resplendent. The Taoist Jade Qing Yuan Tianzi, Shangqing Lingbao Tianzi, Taiqing Daode Tianzi... The golden bodies of all immortals from all walks of life are shining and solemn.

When I was a child, I saw the Taiyi Immortal, the Taoist Lord of Moral Virtue, and the Taoist Priest of Cihang in "The Romance of the Gods","Journey to the West", and "Talking about the Tang"... Tang Taizong Li Shimin ranks among them.

Bagua Pavilion, Courtyard Bagua Map, Double Corner, Single-Horned Qingyang, Dragon and Tiger Column, Chishi Huabao, Fushou Lu Zhaobi... It has the Taoist characteristics of unity between man and nature.

Manshu Temple is a Buddhist monastery. The bronze sitting statue of Sakyamuni Buddha is enshrined in the Daxiong Hall. As soon as you enter the hall, you paint the towers and carved beams. The Buddha statues shine in golden light. On the left and right sides of the Three Great Scholars Hall, there are hundreds of Buddhist listening mats neatly arranged. The dazzling red and red are amazing.

Large and small halls, pavilions, buildings, towers, and corridors in the temple, as well as ginkgo, camphor, plum orchid, green plant and grass pavilions, rockery, Erlong fountain pool, and release pool in the garden... It is integrated and magnificent.

On both sides of the main entrance of the stone plaque of "Ancient Great Sage Ci Temple" with red walls and black tiles, there is a embossed of the shirtless door god riding a mythical beast and holding a magic tool. On the roof, there are two dragons playing with beads, Maitreya Buddha, celestial soldiers and generals, and dragon-shaped kisses. On the left and right gate lintel plaques-"True Liberation Gate" and "Great Guangming Road". The east and west lions and dragon shadows are carved on the walls. There are longevity stars and blessings on the shadow walls, forming a concave shape with the gate of Daci Temple, dazzling in the afternoon sun.

They are all Buddhist temples, regardless of the shape of the temple, the statue of a Buddha, or the murals and couplets, all have their own styles to show their beauty. For example, the Guanyin Bodhisattva in Daci Temple is carved out of ebony and the entire body is dark. In one hall, Sakyamuni Buddha sits, and on the left side sits Guan Yu reading a book. The person sitting on the right holds a scroll. Who knows what kind of god he is?

Outside Daci Temple is Tai Koo Li Square. Looking at Chengdu's Confucian, Buddhist and Taoist temples, they are among the busy city. The Daiwa red walls and high-rise buildings complement each other so much.

Chengdu's protection and repair of historical and cultural relics is exquisite, simple and elegant. It is like "Exquisite Crown the World" written in Zhaobi of Daci Temple. It can be said to be a matter of great kindness and beauty.

To understand a city, there is no better way to visit its museums.

In the Sichuan Museum's Painting and Calligraphy Museum, flowers, birds, and rivers have an elegant charm. Although I don't know painting, I seem to feel their leisurely and calm state of mind when I try to figure out the paintings of ancient literati while browsing.

In the Zhang Daqian Art Museum, a photo of the beautiful bearded man dressed in a robe and leaning on a stick. Narration: "A thousand years have passed since five hundred years." The museum displays his copy of Dunhuang murals, freehand paintings and seals. His overflowing talent is worthy of people's evaluation of him.

The Bronze Museum, Ceramics Museum, Sichuan Han Dynasty Pottery Art Museum, and Wanfo Temple Stone Carving Art Museum showcase the rich and colorful ancient Bashu civilization.

Bashu bronzes have different artifacts and humanoid features from those of the Xia, Shang and Zhou Dynasties in the Central Plains. A copper pot inlaid with banquet music and battle patterns is engraved in layers with archery, mulberry picking, banquet music, combat dance, Ge archery, land and water attack and hunting patterns. See a vivid and colorful picture of social life at that time reflected in bronze art.

Bashu ceramics and pottery stones are full of natural, simple and rich atmosphere of life. Farmers, kabuki, chickens and pigs are all lifelike. A "provincial oil lamp" is a practical invention and creation.

The stone carvings of Wanfo Temple display Buddha statues, statue steles, statue niches, statue bricks and various building components unearthed in Chengdu since the Eastern Han Dynasty, expressing people's understanding of heaven, earth and nature in the Han Dynasty.

The Tibetan Buddhist Cultural Relics Museum displays Tibetan Buddhist cultural relics that are the first to be seen with your own eyes. Tibetan Buddhist gold and bronze statues, Tibetan Buddhist temples, long Buddhist titles of temples, exquisite and gorgeous Thangka paintings... It is a very different style from mainland Buddhism.

The Sichuan Ethnic Cultural Relics Museum is called "Echoes of the Mountains" and displays the Tibetan, Yi, Miao and other ethnic minorities in the mountains of the Sichuan Plateau. They have rich and colorful cultures and costumes, and exquisite and unique ethnic handicrafts, showing the colorful ethnic style.

In the Arts and Crafts Museum, exhibits include jade carvings, lacquerware, shadow puppets, Sichuan embroidery, guqin, etc., especially the dazzling and colorful lacquerware and Sichuan embroidery.

Walking into the Chengdu City Museum on the side of Tianfu Square, I saw a librarian explaining and went forward to listen. The story I heard in my ears felt really different from what I saw in my eyes. It is better to feast my eyes than listen.

Huazhong Jinguan City, a historical and cultural display in Chengdu, has distinctive Chengdu characteristics.

Bronze ware, gold and silver ware, ceramics, stone carvings, portrait bricks, calligraphy and painting, wood carvings, masks... Display ancient civilization collections in Chengdu.

Unearthed in Qingyang District, Chengdu, a bronze pot with hunting patterns and ears from the Warring States Period has three sets of patterns of crane, hunting, and three-legged divine bird, and the decoration is complex and exquisite.

A stone rhinoceros is lifelike in shape, with thick, short, plump and strong limbs, cirrus cloud patterns all over its trunk, and weighs 17,000 kilograms. It was unearthed at the Tianfu Square construction site and was related to Li Bing's control of water in Shu in Qin Dynasty.

Marvel at the superb skills and great achievements in water control of the Shu people 2,000 years ago.

The meridians and acupoints of the Western Han Dynasty are painted with black paint, and complex meridians and acupoints are engraved on the whole body, showing the long historical inheritance of Chinese acupuncture skills.

The Han Dynasty musicians and musicians looked naturally exaggerated and smiled, as if they were in the audience. The shapes of stone bears and stone sheep, pottery mother-son chickens, geese, pigs, dogs are vivid and realistic, but the Tao man's face is thin and tall with apricot eyes. This image is still an unsolved mystery.

It was nearly noon, and only we and another tourist were listening to the explanation. The girl was still full of energy and introduced in detail the story of how people in the Tang and Song Dynasties in Chengdu polished and tasted matcha and Jiancha... Insist on completing the content of the exhibition hall.

Thank you very much for her professional attitude.

She said that Chengdu's city site has not been relocated for three thousand years and its name has not changed. Another characteristic is that except for the streets along Renmin Road (Ming Huangcheng), which are north, south, west and east, Chengdu's roads run northeast and southwest. The reason is related to the direction of the surrounding mountains and rivers.

At Sichuan Expo, I also heard stories related to earthquake zones and asked her if she had not yet said anything. After checking the data, I also saw Chengdu's view of the winter solstice sunshine, the ancient Shu people's view of the location of offering sacrifices to the sun god, and the feng shui theory, etc.

She explained that in August of the 17th year of Chongzhen of the Ming Dynasty (1644), Zhang Xianzhong captured Chengdu and massacred the city and established the Daxi Kingdom. In September of the third year of Dashun (1646), the army was defeated and retreated, killing and looting, and silver was poured in the Minjiang River at the Pengshan River estuary. Large-scale excavations in 2017 yielded more than 30,000 pieces of gold, silver, swords, etc., confirming this historical legend.

When I talked about the Qing army pacifying Sichuan, I couldn't help but be surprised when the museum Huguang filled in Sichuan's schematic map and Chengdu Prefecture's household registration statistics.

"In the tenth year of Kangxi (1671), Chengdu Prefecture governed prefectures and counties, with a total population of 3606 households and a population of 7212 men and women... In the 17th year of Jiaqing (1812), the total number of households increased by 1167343 households, with 3836496 people."It is inconceivable what a catastrophe the war and killing of more than ten years in the late Ming and early Qing dynasties was.

For more than a hundred years, people from Huguang, Yungui, Jiangxi, Shaanxi, Guangdong and Guangxi, Jiangsu and Zhejiang provinces have migrated to Sichuan. I have more understanding of the historical background of "Huguang filling Sichuan". Understand.

Thank the commentator, browse the exhibition hall of modern folk customs, and see a glimpse of life-the three cannons, cargo tanlang, pot helmet, dan dan noodles, water pipe, wine shop, juggling, glutinous rice dumpling pickers, sword makers... Sculptures, old photos, and old utensils record every detail of the old Chengdu City well, and the taste of old life comes to mind.

Walking out of the Chengdu Museum, you can see Tianfu Square, which is crowded with flowers, green grass, and surrounded by tall buildings.

As it was not on the planned itinerary, after resting and eating, he walked half a circle around the Sun Bird sign in the center of the square and hurried to the Sansha Ruins Museum.

Tons of ivory, wild boar tusks, antlers, etc. were unearthed at this Shang and Zhou ruins, and more than 6,000 pieces of gold, bronze, jade, stone tools, lacquer wood, and pottery were unearthed.

The remains of a huge banyan tree 3000 years ago remain under the glass bricks in an area of more than 100 square meters. A large number of ebony and plant remains show the Chengdu Plain 3000 years ago, with dense forests, crisscross rivers and canals, and many animals.

The stone man, stone tiger, stone snake and stone turtle are simple and vivid. They are the earliest stone tools discovered in Sichuan so far. The bronze liren and gold masks are very similar to the Sanxingdui style and should be in the same line.

The thickness of the sun bird gold decoration is 0.2 mm, and the pattern is expressed in a hollow way. This shows the superb carving craftsmanship of the ancient Shu people more than 3000 years ago and has been identified as the city image of Chengdu.

Sichuan University, the north gate of the archway with red columns and double eaves, conforms to the ancient and beautiful Chengdu style.

Passing through the huge campus, I came to Wangjianglou Park by the Jinjiang River, where I was pleasantly surprised to meet Xue Tao, the famous female poet of the Tang Dynasty.

I used to know Li Qingzhao, a female poet in the Southern Song Dynasty, but I didn't know Xue Tao in the Tang Dynasty. It can be seen that I am ignorant and ignorant. Maybe I have read her poems and only thought that Xue Tao is a man.

All kinds of bamboos are widely planted in the park, surrounded by green bamboos and dense vegetation. This park was built in memory of Xue Tao during the Ming and Qing Dynasties. Wangjiang Tower (Chongli Pavilion) in the park was built in the 15th year of Guangxu (1889). It has four floors with double eaves and raised corners, gold ridges and green tiles, carved beams and painted buildings, showing its majestic and beautiful style.

In the park, there are "Chongli Pavilion Notes" stele, Xue Tao's Papermaking Workshop, Xue Tao's Stone Statue, Xue Tao's Well, Xue Tao's Tomb, Xue Tao Memorial Hall, Qing Wan Room, Poetry Reciting Building, Huan Jian Pavilion...

It is celebrating the 130th anniversary of Wangjiang Tower. The park is full of bamboo painting screens, pavilions, Ming Shu Palace paper-making workshops, water-side residential buildings, bamboo rafts, bamboo boats, fishing fishermen...

Xue Tao's poetry walls meander, and the poetry building shows the scene of her singing with famous poets of the same era, Yuan Zhen, Bai Juyi, Pei Du, Zhang Ji, Du Mu, Liu Yuxi, etc.

A garden with euphemistic stories and humanistic feelings.

Adjacent to Kuanzhai Alley, People's Park was built in 1911 and is the largest landscape and historical park in the center of Chengdu.

The "Monument to Soldiers Killed in the War of Resistance of the Sichuan Army" stands tall in front of the Dongdaemun. On the top of the monument stands a bamboo hat and a broadsword on his back, two grenades hanging from his chest, and rifles with bayonets in both hands. He looks at the soldiers in front of him. A monument to the Sichuan Army's Anti-Japanese War that has lasted forever.

The Chengdu bombing memorial wall and the commemorative sculptures of the victims silently warned people to "never forget the national humiliation."

In the park, a group of Sichuan troops went out to Sichuan to see off and bid farewell to the sculpture group. I was taking photos, but the aunties who were exercising in the morning took the initiative to avoid them. I felt their respect for foreign guests and their pride in the history of their hometown.

The "Xinhai Autumn Road Protection Monument" was built in 1913. It was built by the Sichuan Road Corporation at that time to commemorate the martyrs of the Sichuan Road Protection Comrades Association in 1911.

The monument has a square cone shape, like a giant sword pointing directly at the sky. It is solemn and majestic. The white marble stone on the base of the monument is engraved with the words "Sichuan Road Corporation was built in the second year of the Republic of China". The four sides of the monument are written in different book styles "Monument to the Death of the Road Protection in the Autumn of 1911". There are trains, tracks, and signal lights on the base of the monument... Series of embossed.

The Sichuan Road Protection Movement directly triggered the Wuchang Uprising. The Sichuan people should take the lead in the Revolution of 1911. The monument to the Road Protection Movement left an immortal historical memory.

The trees are shaded and hundreds of flowers compete for beauty. Bonsai gardens, orchid gardens, artificial lakes, and rockery complement each other in the garden lakes and mountains. A huge stone is engraved with the "Centenary Crane Cry". The copper teapot and tea bowl on the ground demonstrate the long history of "Heming Tea House".

Huanhuaxi Park and Du Fu's Cottage face each other across the road."The flower path has never been swept by guests, and the tent door has been opened for you now." In the park, Du Fu either sits on a stone, stands by the roadside with a horse, or stands from a high place. Looking at it, it seems like he is waiting for a friend to arrive.

The winding bluestone paths, the scattered huts, the winding poet-carved white walls, and the trees and lush bamboo forests on the walls, accompanied by the streams running through the garden.

There is no end to the road in front of me, and I don't know how big this poetic garden is. I am willing but not able to take a quick look at the flowers. For the next park in the itinerary plan-Baihuatan, I bid farewell to Du Fu's back garden.

Baihuatan Park is lush with trees and lush green grass. Rocks, waterfalls, streams, and pavilions are distributed in it. The spring scenery is as good as the painting, but I still feel that it lacks its characteristics. It is near dusk, although the interest has waned, I insist on walking again. Unexpectedly, a statue of an old man dressed in a Zhongshan suit and standing on a pole appeared. After looking at the nameplate, it was Mr. Ba Jin.

Only then did I know that Mr. Ba Jin was from Chengdu. People in his hometown erected this bronze statue to commemorate his centenary birthday in 2003.

Ba Jin's "Home","Spring", and "Autumn" are big novels that I studied in junior high school. They tell the story of young people yearning for and participating in revolutionary activities in that era. Ba Jin's books have consumed a lot of my spare time. Time is still a good memory.

Chengdu people enjoy both elegance and vulgarity in the beautiful scenery of the gardens. Tea houses and mahjong venues of large and small are set up in all corners of the city and in all parks. People are like fish in water and enjoy themselves in the laughter. This kind of party-style, civilian-style, comfortable leisure is a way for Chengdu people to integrate into their blood. The local customs and customs are truly worthy of their reputation.

Walking on the street, from time to time, you will see the nameplates of sculptures of old historical places and celebrities. You will often see women dressed in Han and Tang dresses coming and going, with beautiful clouds and flowers on their temples and beautiful scenery.

Du Fu described Chengdu in this way back then-"Golden officials and silk pipes are growing day by day, and the wind is half in the river and half in the cloud. This song should only be in heaven, and the world can hear it several times."

Chengdu's historical relics and scenic spots are protected and renovated in an extremely grand, exquisite and beautiful style. The strong ancient customs have influenced the people here. Chengdu is a city that cherishes history.

Four days were far from seeing Chengdu. I saw beautiful scenery, delicious food, beautiful women, teahouses, mahjong... A city that is vibrant, leisurely and comfortable, and has the most fireworks in the world.

Ande, He did not refuse to become a Tianfu person.

2019-5-26