Huang Jian Bo Cai Feng Chasing the Shadow Jumbo Huang Ancient Architecture

Chapter 3132: Yu Yin Mountain House in Lingnan Garden, surrounded by green bamboo, orchid, osmanthus and Qi Fang

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Still water flows deep to suppress fires and drive away evil spirits.

A woman who likes to travel will always look younger and more energetic than the people around her.

The taste of travel is to forget your exhausted self and release your new charm.

I walked into the courtyard of Yu Yinshan's house. It was full of solid wood furniture and exquisite glass windows. There were bird cages hanging on ancient trees, goldfish were raised in the pond, and couplets were hung in the study. It was really a journey through time.

I walked to visit the red rain and green cloud landscape. There were several women taking photos. Some of the women had very loud voices and brazenly shouted in the scenic area about how to pose for photos. It was annoying.

According to documentary records, during the Han Dynasty, private gardens appeared in the Lingnan area. After that, Lingnan gardens continued to develop and gradually matured at the end of the Ming Dynasty. In the early Qing Dynasty, the Pearl River Delta area in Lingnan was relatively developed in economy and prosperous in culture. Private gardening activities became increasingly prosperous after the middle of the Qing Dynasty, gradually forming their own characteristics in terms of garden layout, spatial organization, water and stone use, and plant configuration. Yu Yinshanfang was one of the four famous classical gardens in Guangdong in the Qing Dynasty. Its superb gardening skills and distinctive garden personality demonstrated the brilliance of Lingnan garden art.

There is a famous couplet on the second gate of the Red Rain and Green Cloud Landscape Garden, which was written by Wu Bin, the former owner of the mountain house, and by the celebrity Chen Yungong. Chen Yungong was a Jinshi in the thirty-third year of Kangxi of the Qing Dynasty. He served in the two dynasties of Kangxi and Yongzheng. He served as the Imperial Censor of Zuoqian of the Duchayuan. He wrote three volumes of "Beiyuan Poetry Collection". The first couplet of the famous couplet "has" Liwei, Three Bow, Red Rain Foot ", and" Bow "is an arrow.

The ancients used a stone's throw to describe a distance of 100 paces, meaning that the garden was very small, only 300 paces away. "Red Rain" narrowly refers to the firecrackers in front of the Shenliu Hall. During the full bloom, flowers bloom in clusters. The pond is full of flowers, like a red rain, which is spectacular. Generally speaking, the entire garden is full of flowers and fruits throughout the year, and it is very beautiful.

The second line "Shading Sky Corner and Deep Green Clouds" vividly expresses the green trees, quiet and elegant environment in the park and the traditional techniques of "high trees and deep pools" in Lingnan gardens, and profoundly describes the best effect of plant landscaping in the garden.

The landscape of Huanhong Crossing Green Bridge Corridor is the place where most women come to take photos. There is a pool of water in the park, with lotus leaves crawling in the pool. Above the lotus pond, there is a covered bridge lying across it. The shape is small and exquisite, with a total length of only 20 meters, but it It cleverly combines the bridge, corridor, pavilion and railing, as if it is formed in one piece, which is very exquisite. The covered bridge divides the park into east and west parts. There is "red rain" in the west and "green clouds" in the east, hence the name "Huanhong Crossing Green". It is said that the covered bridge was built with reference to the "Liubo Bridge" of "Haishan Fairy Hall".

It is known as the most classic shape of Lingnan Garden and has become the landmark landscape of the garden. The eaves and columns of the covered bridge are decorated with wooden carvings with hollow patterns. The railings on both sides of the veranda are backed by backs, so that you can rest and view the scenery. It can be said to be ingenious. Through the verandah arch bridge, you can vaguely see water pavilions, stacked stones and trees. The layers of scenery add a sense of confusion and create a profound effect.

I saw some beautiful women wearing Han costumes coming to the Huanhong Crossing Green Bridge Corridor to take photos. There are many full-time photographers in the scenic area. Next to the covered bridge is Shenliu Hall. Shenliu Hall, with the deep willows and treasures hidden, is the place where the garden owner receives guests. It is named Yan Yan from the Tang poem,"The leisure door faces the mountain road, the deep willows reading hall".

It is the main building of Yuyin Mountain House. It is shaped like a mountain, with open eaves and courtyards outside the hall and courtyards directly penetrating the pool surface. It has a gorgeous exterior and fine interior decoration, full of Lingnan architectural style. The cast iron flower scaffold in front of the hall is wrapped with firecrackers, flowers and ancient vines, and its branches and leaves are luxuriant. There is a pillar couplet in front of the hall: "Who is Hongzhao busy? I can bear to abandon the hometown garden, spring flowers are several times, autumn flowers are several times; let me send it to my dwelling house, I am willing to gather celebrities 'hats and clogs, the old rain will come together, and the present rain will come together."

There is a dragon-patterned caisson in the center of the top of the Ming Room in the Shenliu Hall, which is covered with firecrackers and flowers. The ceilings of Linchi Biguan and Wodiaolu are decorated with money caisson. Wen Zai of the Eastern Han Dynasty said: "The well is the image of the east well. Algae, things in the water, are all taken to suppress fires." In the Song Dynasty, caisson was also called covered by the sea. There was a vast sea on the roof, so naturally no fire was feared.

The word "fire" is taboo in the names of ancient buildings, and even "fire" is said to mean "running water". Therefore, the names of many key buildings try to contain water as much as possible. For example, the "depth" of Shenliu Hall, the "pool" of Linchi Biguan, and the "smoke" of Laixun Pavilion all carry water. The Linglong Water Pavilion not only has the word "water", but the entire building is also placed in water, enough to withstand fire. Wopaolu is named without water because the roof is specially equipped with a volcanic wall to block the real fire.

Yu Yinshanfang has always spoken well about the word "door" in the couplet at the main entrance of Wugong Temple,"Red clouds cover the sky, and the rising sun welcomes the door" and the word "Kai" in the couplet at the main entrance of Wugong Temple,"Nanshan is full of spring, east land is open in the sun". The last stroke of the couplet at the "door" is not hooked, but is written straight to avoid the suspicion of "fire hooks".

The hall is rich in books, with many treasures, a dazzling array of fine wood carvings, and famous calligraphy shines in Tsinghua University. The precious sandalwood carving screen is engraved with calligraphy works by famous Qing Dynasty masters. Among them are poems by the three great talents of the late Qing Dynasty, Liu Shanzhou, Zhang Chuanshan, Weng Fanggang and others, and the calligraphy writings of Liu Yong, a scholar of Qianlong;

Two rare woodcut flower covers of "Pine Crane and Eternal Years" and "Squirrel Grapes" are exquisitely crafted and exquisite; 32 peach wood fan paintings decorate the Shenliu Hall grandly, with distinctive architectural styles in Lingnan. In terms of spatial organization, two flower covers divide the interior into two "halls" in circulation. Use blue gauze cabinets and fan grids to separate them into closed, highly private and complete "rooms" and two "rooms", thus making the interior space full of charm.

I visited the Linchi Mansion, which was originally a study room. It was a hard hilltop building and was surrounded by the four-sided lotus pond. In ancient times, literati and literati used inkstones as a "pool", and dipped them in inkstones and waved them into the "Linchi". Therefore, naming this building after "Linchi" is really exquisite. The museum is simple and concise, in sharp contrast to Shenliu Hall. The appearance is novel, and the bright room is decorated with fine ice pattern flower partitions and gold painted false windows.

In order to adapt to the characteristics of frequent typhoons in Lingnan, the roof is not steep and the roof line is straight to reduce the wind-receiving area. The architectural image is simple and elegant. Couple with the eaves and columns: "The pavilion is just adjacent to the pool to wash inkstones and sometimes it is easy to get close to. The corridor moves along the moon to find poems, and you don't notice the cranes accompanying you." I think back then, when the owner of the garden invited many literary friends and looked for poems and sentences on a clear night when the moonlight melted and the wind smelled the fragrance of lotus!

Wopiaolu is a wind and fire wall building on a hard mountain top. It is a small hut specially designed by the owner of the garden for guests and friends to rest. The furnishings in the Lu are simple and the window design is unique. To the north is a row of shutters, which have ventilation and lighting functions. To the south is a row of glass windows inlaid with blue and white. Through the overlapping transformation of blue glasses, you can view the scenery outside the window, and you can enjoy the rare scenery of "thousands of miles of ice" and "Xiangshan red leaves" in the south; if you open all the windows, you will see the natural spring and summer seasons.

I walked into the Linglong Waterside Pavilion, which was equipped with tables and guzheng. Several women were making up. A man was taking photos of a woman wearing Han costumes. The Linglong Waterside Pavilion was an octagonal scroll building on the top of the mountain. The windows are open on eight sides, exquisite and transparent, and you are in the water. This is the place where the owner of the garden invites poets and literati to talk elegantly. Due to its functional needs, the size is large, reflecting the pragmatic characteristics of Lingnan garden culture. There are eight eaves columns and four gold columns in the pavilion, all of which are made of Pontianak wood and have strong ornamental and research value. Open the window and view the surrounding scenery clearly. On the moonlit night, the inside is dark and the outside is bright, and the bamboo is long and the shadows are like traditional Chinese painting. It is beautiful. There is a couplet written by the owner of the garden in the pavilion: "Every time I think about the famous mountains I have visited, I sit and watch the strange rocks and clouds, which are still in my eyes; I talk about how I have experienced the sea, and how I am still facing the Mingyi and the moon is still shining."

I went to the [Emperor's Ancient Architecture Encyclopedia] No. 18376: Shanyan Wu Gong Temple. Yu Yinshan House is not only a masterpiece of Lingnan garden culture, but also a representative of Lingnan ancestral temple culture and academy culture. The ancestor of Shanyan Wu Gong Temple, Wu Baiyang, the father of the garden owner Wu Bin, is solemn and solemn. The architectural layout is three rooms wide and three rooms deep. Its scale, components, couplets, and plaque content all have a strong clan cultural color.

There is also a rare wood-carved plaque of imperial edict on display in the hall. It is the three edict of Wu Bin, the owner of Emperor Xianfeng of the Qing Dynasty, and his father and grandfather as Doctor Tongfeng (Cong Erpin), and the grandmother, mother and wife of the owner of the imperial edict garden as his wife. In addition to the exquisite layout inside the hall, a large number of gray sculptures are also used to decorate the roof, with exquisite patterns and profound implications.

In the middle of the hanging ridges on both sides of the roof of the Hall of Wu Gong Temple and the Bedroom, there is a dragon-shaped beast with an open mouth and a hanging ridge. It is called Yuwen. Its dragon shape gradually evolved from the tail of the owl, and the body of Yuwen is said to have evolved from a whale. It is a mythical beast in the sea that can make clouds and rain. Decorated on the roof of the roof, the ancients expected to use their divine power to avoid fire.

The most distinctive dwelling house in Yuyin Shanfang is Yuyuan. Wu Zhongyu, the fourth generation grandson of the owner of the park, built "Yuyuan" in 1922 to live and rest as a banquet place. His children also lived in Yuyuan. Yuyuan and Yu Yinshan House are combined, playing a supplementary role. The plane of Yuyuan can be divided into three parts. The entrance gate is located in the south, facing the streets and alleys in the village. After entering the south gate, there is a foyer and main hall; the middle part is the boat hall, which is built on two floors. The first floor is a living room, divided into front and rear compartments, separated by a wooden door cover.

Yuyuan is centered on the boat hall. There is a small square ruler outside the boat hall on the ground floor. The building plan is tortuous. There are bridges, pavilions, ponds, halls, Guanyin Hall, Arhat Hall, etc. inside. The Guanyu Bridge and the boat hall complement each other, and tourists all stop and linger here. There are study and living rooms on the second floor. Looking down from the platform on the second floor, you can fully see the scenery of the park, as well as the pavilions, pavilions, rocks and water of Yuyin Mountain House. It is a successful example of borrowing the scenery.

In terms of shape, the entrance hall and main hall of Yuyuan are in the form of three halls, with two black painted doors and tall walls, presenting a solemn and serious atmosphere. Buildings such as halls and courtyards adopt the form of pavilions, with open and transparent doors and windows. The building directly leads to the inner courtyard, patio and platform, allowing the interior and exterior to penetrate and communicate. In addition, the decoration, patterns, colors and furniture are all selected from the local area, so it is more southern.

The back garden is a small garden in the garden, with winding water cups and chess endpieces, and Lingnan fruits are planted all over the place. Diequan small waterfall, gurgling running water, insects and frogs chirping in spring, and cicadas chirping in summer. It is a natural ecological scene that makes people wander and can't bear to give up.

Yu Yinshan House cannot fall into the cliché. An antique building has been built in one corner of the garden. Wenchang Garden takes Chinese Wenchang culture as the main line, inherits Yu Yinshan House's gardening techniques, and creates "water in the center and buildings every week." The garden form of tall trees and deep pools, willow shadows and fragrant melons "creates two major landscapes: " Wenchang Flying Pavilion "and" Hanging List Green Mountain ".

Wenchang Pavilion is 15.4 meters high and has an octagonal appearance. It adopts a spatial separation that looks like four floors but is actually three floors. It not only enhances the beauty of the facade and landscape, but also conforms to the meaning of auspicious signs. The whole building is tall and straight, straight up into the sky, with beautiful eaves, rising wings and horns, and majestic appearance. Whenever the wind blows, the fan bells jingle, making people feel relaxed and happy. Inside the hall, there are ceilings and caisines painted with figures, flowers, birds and animals, mountains and rivers, etc. The painting is precise and vivid. The ceilings of the corridors on both sides of the Wenchang Pavilion are also covered with Panyu local customs paintings and inspiring comic strips. After watching it thoroughly, it is a sense of inspiration to life.

Guabang Mountain is a scenic spot that echoes and complements Wenchang Pavilion. In the past, Wenchang Pavilion, Kuixing Statue and Guabang Mountain were cleverly combined into a whole, becoming a must-visit place for scholars. Climbing the Wenchang Pavilion, paying homage to the Kuixing Star, and overlooking the Guabangshan Mountain, it is as if the "golden list" is right in front of you. Guabang Mountain is 8 meters high. The mountain is wide and has prominent peaks. It is majestic and steep. There are dangerous paths, cave ravines, stone cliffs, cliffs, and flying waterfalls and flowing springs. The realm is changeable. The restroom is hidden in the cave ravines. The intention is extraordinary and clever. Visitors can climb up the stairs or pass through the ravines. The top of the cave entrance is built into a "dome" shape, which is like a bell milk hanging from it. It is quite spectacular.

Yuyinshanfang is one of the four major classical private gardens in Guangdong in the Qing Dynasty. It was built in the sixth year of Tongzhi in the Qing Dynasty (1867) and in the tenth year of Tongzhi (1871). Yu Yinshanfang is a national key cultural relic protection unit and a national outstanding modern construction unit, reflecting its high historical and scientific value. Together with Foshan Liangyuan, Dongguan Keyuan, and Shunde Qinghui Garden, it is collectively known as the "Four Famous Parks in Guangdong". Because it is the only one among the four famous gardens that can basically preserve its original appearance, and because of its architectural characteristics of "hiding but not revealing, shrinking the dragon into an inch", it is known as the representative work of Lingnan classical gardens. It is a place for people to understand the spirit of Guangfu literati, appreciate the architectural art of Lingnan gardens, and explore local folk culture.

Depending on the function of the building, the decoration of Yu Yinshan's house is simple and complex. It shows elegance in simplicity, but there is a harmonious aesthetic feeling between the complexity. Wood carvings, brick carvings, stone carvings and gray sculptures, which are regarded as the essence of Lingnan garden decoration, are widely used in the decoration of doors, window lintels, ridges, walls and gable walls of garden buildings. The application of a large number of decorations makes up for the shortcomings of spatial changes and enriches the visual experience. The calligraphy and painting works in the interior are not only works of art to be appreciated, but also become part of the wall decoration. The architectural decoration of the ancestral hall is also unique. The top of the gable wall is designed with a high design, and there are curved angles on the vertical ridge. There are wonderful gray sculptures on the main ridge. The main decoration of the building is placed on the top, and only the true color of the brick body is exposed in the lower part.

In terms of the application of isolation materials and door and window decoration, Yu Yinshan House has common characteristics with traditional buildings in our country. Wood partitions, partitions, screens, flower covers and panels are often used as isolation materials to separate spaces indoors, rather than brick walls, which not only separates space, but also is an important part of interior decoration. In particular, the garden's doors and windows have many styles and diverse shapes, which have become an important means of architectural art expression. Special attention is paid to the psychological and emotional integration of indoor and outdoor spaces, bringing natural interest to the interior, and achieving reciprocal communication between man and nature. This garden-style antique room and window couplet: "Yu Yunshi's voice is heard across the courtyard, and the shade of bamboo shadows enters the virtual window", which is the realism of reciprocating communication.

The unique architectural shape of Yu Yinshanfang's classical building is produced by the combination of the building's functions, structure and art. Its basic artistic modeling characteristics come from its structure itself. The load-bearing system of the building mainly adopts a beam-lifting wooden frame structure, that is, the roof tiles are laid on the rafters, the rafters are frame on the purlins, and the purlins are supported on the beams. The weight of the roof is mainly borne by the beams and columns, and then transferred to the foundation. This structure is open and stable, and uses fewer columns, allowing a larger use space inside the building.

However, the fatal weakness of wooden frames is their poor fire resistance performance, and ancient fire-fighting tools and equipment are quite backward. Once a fire breaks out in a building, the situation will be difficult to clean up. Therefore, fire prevention was a task that both the imperial court and the people in our ancient country attached great importance to. In ancient times, it was taboo to talk about fire, and talk about "fire" changed color, so warnings about fire were cleverly integrated into the decorative culture of traditional buildings. The decoration culture of "avoiding fire" is a major feature of the decoration culture of Yuyinshanfang's ancient buildings.

Although Yu Yinshanfang Town's fire exorcism may sound idealistic, it played a propaganda role as a modern fire prevention sign in ancient times, always warning people to "pay attention to fire prevention", becoming a distinctive symbol in ancient Chinese architecture.

Our country's traditional culture has always been accompanied by etiquette and music, and reason and reason are interdependent. "Rites" embody a kind of norm and an order; while "music" embodies an aesthetic and an interest. As a branch of humanistic color, architectural color more clearly conveys the cultural message of "etiquette and music" with symbolism and intuition. Although color has two aspects: physical and psychological, the color of ancient Chinese architecture is not only considered from an aesthetic perspective, but also a kind of conceptual culture, so it is more based on psychological aspects. According to the five colors of the simple "Five Elements" philosophical thought in ancient my country, they are represented by green, white, red, black and yellow.

Flowers and trees are originally natural objects without any ideas. However, in the long process of historical development, due to the increasingly close relationship between flowers and trees and people's lives, natural flowers and trees have been continuously injected into people's thoughts and emotions, and have been continuously integrated into the content of culture and life, thus forming a cultural phenomenon related to flowers and trees. As Mr. Gao Shiqi, a famous late scientist in my country, said: "Flowers represent many emotions of mankind";"Flowers embody many spirits of mankind";"Flowers symbolize many wishes of mankind", flowers and trees and related characters and interesting things have left many thought-provoking poems, songs, or stories and allusions that have been passed down to this day. Yuyin Shanfang is a literati garden, and its cultural heritage is fully reflected in the configuration of plants.

The couplet "There are three bows of space and red rain, and a corner of the shade is green and deep" not only points out the purpose of gardening to commemorate and bless Yongze's ancestors, but also uses plant themes to form a natural landscape. If you stay in the garden and enjoy it carefully, you will naturally appreciate the poetic meaning of this famous couplet. The flower trellis in front of the "Shenliu Hall" hangs on a firecracker flower planted by the garden owner Wu Bin. The trunk is as thick as a tree and is shaped like a coiled dragon surrounding a column, revealing its vitality. Around the Spring Festival, flowers are in full bloom. From a plane view, green leaves and golden flowers are covered with the eaves. From the facade, the hanging tassel hangs down, like a red rain, with a myriad of weather. The wooden pineapple located in the northeast of the garden has a huge crown and dense shade, like a green cloud covering the sun. It is quiet and cool. The meaning of "residual shade" is self-evident. In a small homestead with a small land area and difficult landscape buildings to unfold, this superb and wonderful plant landscaping technique is really amazing. The Yazhou bamboo planted between the two walls is known as the "Green Bamboo with Walls" and is also a unique green landscape in the park.

Anyone who has visited Yuyin Mountain House has left an unforgettable impression on the two ancient elms in the garden. These two elms are both floating towards the pond in a cliff shape, like double dragons going out to the sea, which is very spectacular. Wu Bin once served in the Ministry of Justice in the capital. Due to his dedication to the court, his family was rewarded by Emperor Xianfeng for three generations. In his edict to his grandmother Luo, Emperor Xianfeng praised Luo for "shining the brilliance of Zhai Chang Zhaotong and Guan", saying that the brilliance Luo received after receiving the title was as if he was wearing a dress decorated with golden pheasant feathers and shining with red brilliance. Golden pheasant's feathers are gorgeous and they like to inhabit elms. For this reason, two elms were planted to attract more golden pheasants to inhabit here. This can not only show the glory of the Wu family's women, but also serve as the direction of efforts of future generations. Moreover, the word "Yu" on the elms is homophonic with the word "Yu" on Yu Yinshanfang. Planting elms as the landmark tree of Yu Yinshanfang was the most appropriate. So he chose to be in front of the "Deep Willow Hall". Two flower beds were built and planted with elms.

Yu Yinshan's house is planted everywhere, especially at the east gate of the Linglong Water Pavilion. It is planted in the way of "two osmanthus in court". One side is golden osmanthus and the other side is silver osmanthus, implying a full house of gold and silver. Above the west window of the water pavilion, a large plaque "Smell the Fragrance of Mugu" hangs high, and there is a sentence attached to the column outside the pavilion: "Smell the Fragrance of Mugu and Smell the Fragrance of Mugu and Love Flowers", which shows the enthusiasm of the garden owner for osmanthus. Osmanthus osmanthus is also called sweet clover. It is a small evergreen tree in the sweet clover family."No one who has the fragrance of autumn flowers is as fragrant as sweet-scented osmanthus.""It suppresses the west wind and is very busy with autumn flowers." Osmanthus is indeed the most fragrant among the autumn flowers, so it can suppress the power of the autumn wind and be the first among all fragrant flowers. The garden owner was intoxicated by the fragrance of osmanthus flowers.

The owner loves osmanthus flowers. In addition to liking its aroma, he also expresses himself through osmanthus flowers. "Gui" has been regarded as a symbol of lofty honor in ancient and modern times and at home and abroad. In ancient Greek mythology, Gui was a "sacred object" dedicated to the god of science and art."Aberon". People in ancient Greece also woven the green leaves of the osmanthus tree into a crown, called the moon laurel, and awarded it to outstanding poets. Britain awards outstanding poets the honorary title of "Poet Laureate". In the ancient imperial examinations of my country, the term "Han Gong defeated Gui" was used to represent the middle of the election. The future generations had a prosperous career, and the honorable appearance and dignitaries were called "Lan Gui Qi Fang". In modern society, obtaining a certain honor is still called winning the crown.

Wu Bin, the owner of the garden, was a member of the Qing Dynasty. He was appointed as the secretary of the cabinet for donating grain. Soon, he was selected as a member of the Ministry of Punishment in the general election and was appointed as the chief of the Ministry of Punishment. In the fifth year of Xianfeng, he was granted the title of Tongfeng Doctor. From the second-grade official title, he extended his gratitude to his grandparents, parents, and wives. Later, his two sons were elected one after another. Therefore, there is a saying that "one family has three members, and the father and son have both won the Gui". This is not only" the Han Palace has won the Gui", but also" Lan Gui Qi Fang". Therefore, the garden owner planted osmanthus flowers everywhere, and the fences on both sides of the garden road were filled with various orchids. His intention was obvious. According to Wu Xihua, the fifteenth son of Wu Zhongyu, the owner of Yuyuan Garden, Wu Baoying was elected in the 27th year of Guangxu Guangxu and gave birth to a son in the same year. In order to celebrate her "defeat in the Han Palace", she named her son Wu Qinggui, the last garden owner of Yu Yinshan House. In addition, the white camellia and wintersweet flowers planted in the garden are also the flowers and trees Wu Bin uses to express his strong character and fighting spirit.

Palm plants are commonly used plants in Lingnan gardens, especially sunflower trees. For thousands of years, people have often picked their leaves to make sunflower fans, which are used as tools to cool off the heat. During the Qingming Festival every year, people prepare sunflower fans to use them to house and drive away evil spirits. It is said that after the completion of the Yu Garden, the women of the Wu family moved in immediately. One of them was afraid of the dark. The Yu Garden was built on the edge of the village, surrounded by fields and ditches. At night, insects chirped and frogs chirped, and trees shook the windows. The young lady was always scared and had difficulty sleeping. She thought it was a trick by evil spirits, so the owner of the garden planted a plum blossom plant in the north of the Yu Garden, one to attract blessings and the other to town the house.

Because "Pumei" is the most favorite tree for bats to inhabit, since the Pumei was planted, bats have come in droves, and the garden owner is very happy. Because Kumei trees are palm plants, there is a sacred person in Taoism named Zhong Kui, who specializes in killing evil and treating ghosts, so "Pumei" takes its meaning. Since planting sunflower trees, Miss has been psychologically comforted and mentally supported. She has become more courageous. Not only is she no longer afraid of the dark, but she also regards the chirping of insects and frogs as a lullaby and sleeps very soundly. Suikui trees became the feng shui flowers and trees of Jiefu Town's house.

Yu Yinshan's house not only has a folk auspicious pattern of wood carving "Sanyang Kaitai", but also planted sour carambola, bauhinia, and Araucaria on the plant configuration. Their homophonic sounds are deliberately used to create an auspicious atmosphere of "Sanyang Kaitai". The sour carambola is strong and expresses the garden owner's wish to "reproduce the ancestral branches and have a large number of descendants". It is said among the people that bauhinia is a spiritual tree. According to the notes and novels of the Han, Wei and Six Dynasties, three brothers wanted to cut off a bauhinia tree in front of the door when they were dividing their family property. The flower withered the next day. The three brothers were inspired to decide not to cut it down, and the flowers flourished again. Araucaria is evergreen and immortal, vigorous and straight. For this reason, these three plants convey auspicious meaning.

The flowers and trees in Yu Yinshan House set off the architectural shape and pool and stone scene in the garden, forming garden landscapes with dense, scattered, and changing light and dark. The color, fragrance and shape of the flowers and trees also express the emotions and aesthetic orientation of the garden owner. and spiritual pursuit. Every flower, tree, step and scene all contain profound meaning, which can be viewed inexhaustible and appreciated endlessly.

Yu Yinshanfang not only provides visiting services, but also organizes many cultural activities in a unique way, regularly allowing people wearing costumes to enter the park for free. In order to inherit and carry forward the quintessence of Chinese culture, Yu Yinshanfang specially cooperated with the Guangzhou quintessence Drama Photography Studio to hold the "Dream of Prosperity in Water Sleeves and Dressed Clothes" Costume Month activity during the national style season, and launched special activities such as drama performances, costume experiences, and costume exhibitions during the New Year's Day last year, allowing citizens and tourists to enjoy their entertainment addiction.

Yu Yinshanfang also launched the "graceful figure and oriental charm" cheongsam month event that has been held in the national style season. Cheongsam follows the times and carries civilization. With its flowing melody, elegant painting and strong poetic feeling, it expresses the virtuous, elegant, gentle and clear temperament and temperament of Chinese women.

In November last year, Yu Yinshanfang launched an activity where anyone wearing Hanfu can enter the park for free. Hanfu, the full name is "Han Traditional Costume", carries the Han nationality's dyeing, weaving and embroidery, etc., with outstanding craftsmanship and aesthetics, and inherits more than 30 items of my country's intangible cultural heritage, as well as protected my country's arts and crafts.

Fairy sleeves fluttered, and I could hear the fragrance of musk orchids; lotus clothes moved, and I could hear the sonorous sound of rings.

Yu Yinshanfang also provides the service of opening pens. This etiquette originated from the Confucius era in the Spring and Autumn Period. It is the traditional term in my country for children who began to learn and learn etiquette. It is commonly known as "breaking Meng". In ancient times, it was an extremely grand ceremony. It is of great significance to every scholar and is called one of the four major rituals in life (this is a fee item).

Yu Yinshanfang has also built a new cultural and creative store, located in the book bar on the second floor of Wenchang Pavilion. It is the only choice for tourists looking for tranquility. The book bar is divided into two parts. In addition to a variety of books for borrowing, the left part also has an all-in-one computer that provides online reading functions. In the right half, there are some cultural and creative products with unique characteristics of mountain houses to choose from, such as Butterfly Love Flower Keychain, Unicorn Lion Keychain, Leading Commemorative Coins, Hongqiao Moon Printing Commemorative Coins, and Kapok Bookmarks. Each piece is exquisite in style, allowing tourists can truly bring Lingnan culture home.

The opening hours of Yuyin Shanfang Scenic Area are 8:00 to 18:00 (all year round). Ticket sales and admission are closed at 17:00. The full ticket price is 18 yuan, and the half ticket price is 9 yuan. Children under 1.2 meters tall and elderly people over the age of 65 (with relevant certificates) are free. Park guides: 80 yuan/session; guide housekeeper: 8 yuan/session. The park is located on North Street, Nancun Town, Panyu District, Guangzhou City, Guangdong Province.

Huang Jianbo's reference materials originate from All Rights Reserve of Yuyinshan Housing, Cultural and Tourism Development Center in Panyu District, Guangzhou City