Dongziguan Village, upon arriving at this village, looks different. In front of it is a large green field, and behind it are interesting Chinese style residential buildings. From the perspective of drones, it looks very, very spectacular. Dongziguan is located below Tongzhou Island, where two separate streams of water from the Fuchun River converge to form one stream. The ancient boat port and post road still have distinct traces on the riverbank. It can be imagined that as a water pass of the Fuchun River in the old days, Dongziguan would inevitably have a scene of prosperity and self-sufficiency, even if it could not be called bustling.

This is the entrance of the village. These houses have a unique design but do not lack a sense of unity. Some have been converted into homestays. Dongziguan Village is an ancient village along the banks of the Fuchun River. Dongziguan was once prosperous due to its possession of a large river and a dock. In "Dongziguan", Yu Dafu uses his pen and ink to interpret an ancient village that used to be bustling with shops and commerce. It also allowed people to understand the life of a peaceful, leisurely, peaceful, and self-sufficient riverside town.

A brand new and beautiful Zhejiang style residential village after the renovation of Dongziguan. The large white walls, paired with gray roofs and fish scale like tiles, blend together with the remaining ancient houses with raised eaves from the 1980s and 1990s and the Ming and Qing dynasties. Gradually advancing, the slightly curved and elegant roof lines and the spacious white walls are used to render the graceful beauty of Jiangnan households with minimalist and abstract strokes. A fresh and gentle ink painting stands by the vast yellow rice fields, outlining a naturally drawn picture of Fuchun Mountain.

The residential buildings are gentle and introverted, simple and atmospheric. From a distance, it is clear that they have integrated into the countryside, and up close, they are not confined to traditional architectural forms at all. Walking in, each household has three small courtyards. The front courtyard is green and beautiful, the middle courtyard is used for leisure, and the backyard is filled with miscellaneous items, making it both visually appealing and useful.

The buildings in the village are like courtyards in Jiangnan. What does it look like on the left, and what does it look like on the right is the scenery. No matter how it looks, it is always very beautiful. This is also the creative idea of the designers in Longkou.

Architecture rooted in cultural traditions, reflecting the traditional charm and temperament of Jiangnan dwellings. Following this approach, when designing the "New Hangzhou style residential buildings", we did not simply copy the commonly used stone gates, herringbone slopes, and wooden walls of the Hangzhou style residential buildings. Instead, we drew inspiration from Wu Guanzhong's portrayal of Jiangnan style residential buildings, cleverly combining the slightly curved and upturned traditional herringbone roofs, and then using abstraction and reconstruction strategies to create asymmetric and continuous slopes on the roof. This cannot be said to be a unique approach with unique creativity.

This is the cultural auditorium in the village, which is very different from ordinary auditoriums. It is divided into an upper and lower two-story structure, and the entire building is designed based on the architecture of ancient Chinese houses, making it very attractive.

On the playground in the village, the local villagers of Fuyang are basking in the sun. The fans they make are said to taste very good, all made from local sweet potatoes, and of course, there are no high-tech additives. It is quite reassuring to eat.

Just a building has no soul. The soul of this building is that when people move in, they plant a lot of trees and grow many flowers, and inadvertently, those flowers will slip over your cheeks. Both the triangular plum and the fragrant bubble tree grow very well here. Against the backdrop of blue sky and white walls, it is also refreshing to see.

Every building is very unique, as mentioned in the poem. When viewed horizontally, there are peaks on the sides of the mountain, with different heights and distances, making you feel no aesthetic fatigue.

There is also a local story of "seeking fish from the river", which tells of Xu Yu, the founder of the Xu family in Dongziguan. Due to his mother's love for fish, he moved his family to the Fuchun River and settled in Dongziguan. Xu Yu feeds his mother fresh fish every day. One day, Xu Yu did not catch fish due to physical discomfort, and soon after, his mother fell ill because she had not eaten fish for the day. At that time, it was the deep winter season, with cold and heavy snow, and fishermen were unable to catch fish. Xu Yu couldn't find fresh fish everywhere in the village. So Xu Yu came to the riverbank and wept at the water of the Fuchun River. Just as Xu Yu was crying, suddenly two fish jumped to the shore. He caught the fish and went home to serve his mother with fish. Soon, his mother's illness healed. After the news of Xu Yu's "seeking fish from the river" spread in the village, the villagers believed that it was Xu Yu's filial piety, which moved heaven and brought him the fish. Later, his mother Sun passed away, and Xu Yu guarded her tomb for three years. After the local officials learned about this, they reported it to the court, and Xu Yu received recognition from the court in 986 AD.

Every village has a pond, located to the west of the village. The water here is very clear, and the water grass below is also very clear, indicating that it is a mouthful of live water. A grandmother is washing vegetables here, and a little dog is swaying around, full of the atmosphere of human fireworks.

Until today, Dongziguan Village has preserved nearly a hundred ancient buildings from the Ming and Qing dynasties, such as Xujia Courtyard, Anya Hall, Yueshi Temple, etc. There are also many valuable historical sites, such as the ruins of the "Guanchuanbu" and the ancient post road.

The ancient camphor tree in the village has a history of 800 years, and the Yueshi Temple by the river was built in the 18th year of the Jiaqing reign. The decline of water transportation, the rise of land transportation, and the accelerating urbanization process have gradually made Dongziguan a name that has been neglected in the past thirty years. Along the banks of the Fuchun River, there is never a lack of poetic and picturesque water towns. Compared to the ancient village of Shen'ao in Tonglu, which is 3 kilometers away, four natural villages with different styles, Shen'ao, Dipu, Huanxi, and Xufan, compete for resources and popularity in a hidden battle. The silence and solitude of Dongziguan actually show a sense of isolation from the world.

The atmosphere of the Chinese New Year is already very strong here. These hanging pig heads, chickens, ducks, fish, and meat are all essential good things for the Chinese New Year. If you come here on a rainy day, you can feel the tranquility of ancient simplicity. When it drizzles, taking a walk in the village will bring peace to your mood along with the ancient town; If you come here in the sunny weather, you will feel peaceful and distant, with long cries of selling spreading throughout the corners, and the blue waves of the river telling the stories in your heart. The long alleyway and smooth cobblestone road seem to show the passing of time.

The pickled green fish must be made from dried fish. The boss is very busy, and if there is a chance to come to his place for a meal, be sure to taste such delicious dried fish.

In fact, there is no wine flavor in the Fuyang featured wine bag, but Mantou is very elastic, so you can eat three at a time. Unfortunately, I forgot to buy it when I came back later.

Farmhouse stir fry, the rice is very appetizing.

The Stinky tofu in Fuyang is also different from the Stinky tofu in the south of the Yangtze River. People like us who don't eat much may not be able to eat it. If we are old enough, we will know that it is from Fuyang, Shaoxing, or where it is produced. The slightly different taste keeps their own local characteristics.

Fuchun Mountain Pavilion

When I first saw the Fuchun Mountain Museum, its design and structure were very similar to a museum I had visited. It's the Ningbo Museum that I've been to, and online research shows that they are all the same designer. The Fuchun Mountain Museum consists of three museums: Gongwang Art Museum, Museum, and Archives.

The architectural complex of Beishan Mianjiang is the largest work created by Professor Wang Shu, Dean of the School of Architecture and Art at the Chinese Academy of Fine Arts, after winning the Pritzker Award. It is a landmark building in Fuyang District and will also be an important part of the transformation of poetry and painting in Jiangnan. Teacher Wang Shu has more works in Fuyang, a retro and artistic art village. Good looking, fun and livable.

The Fuchun Mountain Museum is located on the edge of a scenic area outside the highly urbanized core of Fuyang city. It faces the Fuchun River to the east and Lushan Mountain to the north, facing the river. Behind and in front of the base are already high-rise residential buildings, while further west, the green mountains are still continuous, as depicted by Huang Gongwang a thousand years ago. The main mountain located in the center is a museum and art gallery; The second mountain parallel to it is the archives, and the depression between the two mountains becomes a "valley" within the mountain. The office building behind forms a background mountain, with its roof contour echoing parallel to the distant mountain, while the undulating structure in front is a large mountain that accommodates the art museum and museum. The mountain shaped contour mixed with the "three distant" method forms the landscape image in traditional landscape painting.

Continuously connecting from the bottom is called Pingyuan. From the near to the opposite, it is called broad and far. From the distant view outside the mountain, it is called Gao Yuan.
——Huang Gongwang's "Writing about Mountains and Waters"

Entering the museum will give you a feeling of being in the mountains, and then gradually experience how to "see the ridge horizontally" and how to "see the peak from the side". In June 2011, a special exhibition titled "Landscape Integration - Huang Gongwang and" Dwelling in Fuchun Mountain "was held at the Forbidden City in Taipei. As the real location and original creation site of "Dwelling in Fuchun Mountains", Fuyang organized a cultural visit team to witness the grand combination of "The Remaining Mountains" and "The Unuseful Teacher Scroll". That night, the Fuyang Artists Association proposed that Fuyang should have its own art museum. So later on, Fuyang really built an art museum, which was created by a famous artist.

The architecture draws inspiration from the spatial expression techniques of "distant mountains", "secondary mountains", and "near mountains" in the "Dwelling in Fuchun Mountain" and "Writing Scenery Secrets". The stones that make up the exterior facade and roof of the Fuchun Mountain Pavilion are all taken from the local area of Fuyang and handmade by a professional craftsman team that Wang Shu has been cooperating with. The Fuchun Mountain Pavilion combines its multiple functions of being observable, livable, and tourable, ultimately forming a unique pattern of "beyond the mountains and rivers, there are unique mountains and rivers, and within the paintings, there are even more pictures". Landscape brushwork

Surprisingly, he can climb up the roof of the art museum and act wild. The real-life version of Fuchun River's "Dwelling in Fuchun Mountain". Wang Shu's works, where heaven is earth, and earth is also heaven, have roofs made of tiles, stones, and bricks, in line with the inclusiveness of heaven and earth in the Book of Changes. What other architectural works do you know of Wang Shu?

From the clever arrangement of artificial mountains and houses with a sense of space, combined with the extensive application of corridor and ramp elements, the tourism process of Fuchun Mountain Museum seems to be a panoramic view, with landscape paintings painted in front of us. It's also very similar to ancient China, where those martial artists could fly around on the eaves, just like on land, where they could also meet our expectations and fantasies.

Create a set of artificial mountains and houses made of concrete and stone, with winding corridors interspersed inside and outside the mountains, constantly presenting and connecting the artificial mountains and the real landscape around the Fuchun River, forming a picturesque landscape.

Standing on the high platform of the roof, leaning against the railing to gaze, the water of the Fuchun River slowly flows through, and the line of sight passes through the "rockery", with layered mountain scenery contours visible in the distance; When the line of sight turns northeast, the close-up view is of the verdant and charming Lushan. A pavilion is essential for leisure and sightseeing in the garden. There are no fancy flying eaves or exquisite long windows, and two simple rectangular buildings stop on the curved roof, called "mountain pavilions", which can be enjoyed by small gatherings.

Whether it is the sudden enlightenment guided by dark light, this kind of balance writing technique can be seen everywhere in landscape poetry and painting. When translated into architectural space, it brings the fun of the sequential opening and rhythm of the Fuchun Mountain Pavilion.

The indoor ramp continues the flow line of the corridor to guide and pause for viewing. Suddenly, it passes through a door and turns from the dim part of the indoor exhibition hall into the front, suddenly shining brightly, and finally arrives at the outside of this huge artificial mountain.

The stones that make up the exterior facade and roof of the Fuchun Mountain Pavilion are all taken from the local area of Fuyang and handmade by a professional craftsman team that Wang Shu has been cooperating with. The exterior wall is a textured "tile wall", similar in structure to the roof, with warm yellow small stone paving similar to ancient stone paving.

The design draws inspiration from the mountain outline at the end of the painting "Dwelling in Fuchun Mountain" and abstracts the outline of the building's "mountain body" as the contour line of the artificial mountain. Three groups of huge mountain shaped buildings occupy the northwest area of the base, with earth embankments built on the southeast side to isolate direct line of sight from the surrounding residential communities. A pool of winding water is excavated along the southeast boundary of the base, and small buildings such as "Guanshan Hall", "Guanshan Pavilion", and "Water Pavilion" are also arranged on the side of the base, connected by corridors. The slightly curved roof of the mountain pavilion is cantilevered out by complex components resembling triangles, and one can vaguely feel the construction logic of traditional dougong, but it is a completely different combination.

The rammed earth mud wall of the "Mountain Viewing Hall" is deliberately mixed with red mud, and the layers of rammed mud walls have a slightly flashing red texture. Along with the red mechanism fragments laid on the main building roof, the fleeting and beautiful sunset is forever fixed on the roof. It is precisely a reference and re creation of Huang Gongwang's "Writing the Landscape Decision" that "climbing to the open space and watching the clouds is the scenery of the mountain".

The interaction between the inner view of the garden and the external natural scenery draws inspiration from specific garden design techniques such as "borrowing scenery" and "matching scenery". Moreover, due to the enhancement of the three-dimensional spatial dimension, it greatly surpasses the two-dimensional brushwork in the picture.

The indoor ramp continues the flow line of the corridor to guide and pause for viewing. Suddenly, it passes through a door and turns from the dim part of the indoor exhibition hall into a bright light ahead, arriving outdoors.

After entering, I found that the scene inside was completely different from what I saw outside, like the traditional way of folding and folding, each folding was one of the pages of the album. The characteristic of album pages is that there is no continuity between them, forming arbitrary effects.

Architectural practice is dedicated to craftsmanship, applying the skills of migrant workers pouring concrete to the wall masonry of art museums. The gray walls made of bamboo and concrete, stretching for hundreds of miles, create a unique architectural texture.

The museum happens to be hosting a calligraphy and painting exhibition, so it would be great if you had nothing to do.

In this group of buildings, the passage of time becomes slower and seems to belong to different units of time compared to the surrounding environment. This spatial experience of integrating architecture and landscape is an augmented reality version of Huang Gongwang's "Dwelling in Fuchun Mountain" that immerses people in virtual imagination and current reality. In the noisy urban space, it creates a place where people can talk and laugh about Hongru and live in a peach garden in the mountains. As if leisurely living in the mountains, stepping into the painting.

This is Huang Gongwang's seclusion and also the place with the most historical and cultural core values in Fuyang, because there is a famous painter who lived here at the age of 70 and painted a stunning masterpiece at the age of 81.

He is the renowned painting "Dwelling in the Fuchun Mountains" both domestically and internationally. Speaking of this painting, there are many stories that have been passed down and are still talked about to this day. The most magical thing is how he could be divided into two parts, half in the mainland of China and half in Taiwan on the island of Taiwan. And how did they one day exhibit together in the same place?

The water in this pool is clear and emerald green. Every summer, mist rises around the pool, making it look very fairy like.

Arriving at the Huang Gongwang Memorial Hall, the exhibition here can reveal the dusty past for you. I used to be so inspirational, so dramatic, and finally able to break through the mirror and reunite.

"Dwelling in Fuchun Mountain" is a paper-based ink painting created by Yuan Dynasty painter Huang Gongwang in 1350, and is one of the top ten famous paintings passed down in China. Huang Gongwang was painted by his junior apprentice Zheng Chu (useless teacher), and after several changes of hands, he had to burn the painting and be buried, resulting in two sections of his body.

What is displayed here is half of the Fuchun Mountain Dwelling Map, and of course, the authentic work is stored in the Zhejiang Provincial Museum. The first half of the ink and paper edition of Yuan and Huang Gongwang is now housed in the second half of the Zhejiang Provincial Museum, and is now housed in the Taipei Palace Museum.

The painting "Dwelling in Fuchun Mountain" is set against the backdrop of the Fuchun River in Zhejiang Province. The ink used in the painting is elegant, and the arrangement of mountains and water is appropriate. The ink color is rich and varied, with a combination of dry and wet colors. The residence map of Fuchun Mountain is known as the "Orchid Pavilion in Painting" and is a national treasure level cultural relic.

The original painting of "Dwelling in Fuchun Mountain" was painted on six sheets of paper, which were then mounted together to form a long scroll of about 700 centimeters. Huang Gongwang did not conceptualize the structure according to the size, length, and width of each piece of paper, but rather allowed himself to freely create, leisurely amidst the mountains and rivers, allowing for both distant and close views. This kind of browsing, moving, overlapping viewpoint, or wide-angle and far-reaching, or close-up, during the browsing process, the visual viewing method is extremely free and unrestrained, and the angles are also very diverse.

The map of the remaining mountains begins with a towering and solid mountain. In the painting, the peaks and ridges converge with sharp edges, round and thick, slowly and upward mounds of soil are gradually stacked layer by layer, and then turn to the left and slowly tilt. Huang Gongwang uses his most unique "long draped hemp and crack" brushstroke, using the center of his brush to vigorously brush downwards, forming a thick and solid texture of the soil in the picture. The white mist of the mountain mist is hazy, reflecting the unique climate of the humid mountains and rivers in Jiangnan.

Here stands a statue of Huang Gongwang, who is also a spirited old man with a high head and a straight chest.

Continuing along the mountain road, about four or five kilometers later, we finally arrived at Huang Gongwang's secluded place. Pushing the firewood gate lightly, you will enter a place where immortals reside, right in this mountain valley by the stream. When transportation was underdeveloped in those days, being able to find such a place was considered a paradise in the world.

There are two houses here, mobile living in a large flat house, full of the atmosphere of life. There is no partition in the lobby, with the living area on the left, the kitchen on the right, and the living room in the middle. And the other house we see is the South Building, which Huang Gongwang specifically used for writing calligraphy and painting. As a national treasure, "Dwelling in Fuchun Mountain" was created by Huang Gongwang here at the age of 81.

Yu Dafu's Former Residence

Getting to know Yu Dafu is also a quite dramatic thing, due to a small story that tells of a time when Yu Dafu was young, he secretly watched his landlord's daughter take a shower. The good guy suddenly remembered Yu Dafu's unique and unrestrained personality, which is different from other literati. Of course, in our minds, the most important thing is still Yu Dafu, who spoke out for our country, resisting Japan and saving the country.

"The male protagonist has a secret crush on the daughter of the innkeeper, but he is afraid to confess his love. Later, he secretly watched women take showers, go to brothels, and so on. Every time he did it, he began to regret it, but he couldn't control himself and resist temptation." This delicate novel description is from Yu Dafu, one of the four great talents of the Republic of China, which is also a reflection of himself.

In Fuyang, Hangzhou, Zhejiang, on the beautiful banks of the Fuchun River, there is a Yu Dafu Park with a small building next to it.

At present, this dock is under repair and only ship tickets can be purchased on weekends. Unfortunately, I was unable to go boating on the Fuchun River to admire the real-life scenery of Fuchun Mountain in Huang Gongwang's painting.

This is the statue of Yu Dafu, a famous anti Japanese fighter and one of the literary giants of the Republic of China. Behind him is his former residence.

My family lives at the foot of Yanling Beach, where the scenery of the Qin Dynasty was like mountains and rivers in Jin. In the third month of the Qing Dynasty, the peach blossoms were as beautiful as flowers, and there were fishing boats traveling to and from the Chunjiang River. Yu Dafu's former residence is located in Yu Dafu Park in Fuyang, Zhejiang. It is a brick and wood structure with three bays and two floors. The "Twin Martyrs" of Yu Men went on a campaign here and spent their childhood there. Some of their relics are still preserved. It was opened to the public on the occasion of the centenary of Yu Dafu's birth in December 1996 and is one of the "Patriotic Education Bases" named by Hangzhou City. In 1945, Yu Dafu was killed by the Japanese army in the jungle of Sumatra Island. In 1952, the Central People's Government posthumously recognized Yu Dafu as a revolutionary martyr. In 1983, the Ministry of Civil Affairs awarded him the certificate of revolutionary martyr.

A two-story small building made entirely of wood, with three rooms facing south on the upper floor, all with balconies, making it very transparent according to current statements. Yu's previous generations were mostly traditional Chinese medicine practitioners, and many of them had a habit of loving flowers, trees, and Chinese herbal medicine. The courtyard where everyone is now basically maintains the original appearance of Yu Dafu's childhood. Cherries fall late in winter, pomelos remain evergreen in the west, and there are large water tanks under each tree for raising goldfish. Previously, it was common for residents to store water in front of their homes, which could be used for watering flowers, plants, and trees, as well as for firefighting purposes.

The plaque in the center of Yu Dafu's former residence on the first floor that you are now seeing was proposed by the famous Guangdong calligrapher Huang Miaozi.
In the early days, Yu Dafu wrote a total of 26 lyrical essays, including "Sinking" and "Death in Silver Gray", as well as sixty or seventy essay essays, expressing his hopeful mood when he returned from Japan and his infinite disappointment after seeing the devastated motherland. He not only had his melancholic and pessimistic thoughts on the future of the revolution, but also had radical theories that were passionate and shouting loudly about the revolution. Mid term: It is a low period of Yu Dafu's thinking. Late period: Yu Dafu participated in the anti Japanese propaganda work of the Third Department of the Political Department. He used his pen to participate in the battle, wrote many political articles, and encouraged people to fight with his enthusiastic voice.

The downstairs wing is a showcase room for Yu Dafu's profile and life relics, and is a great patriotic education base. Yu Dafu is from Fuyang, Zhejiang, and now he can be considered a local sage, a very famous local sage. Formerly known as Yu Wen, also known as Da Fu, he is a modern Chinese writer and revolutionary martyr. I have studied abroad in Japan and graduated from Nagoya Eighth High School and Tokyo Imperial University. Yu Dafu was one of the initiators of the new literary group "Creation Society", a patriotic writer who sacrificed his life for resisting Japan and saving the country. In addition to literary creation, he actively participated in various anti imperialist and anti Japanese organizations, and successively engaged in anti Japanese propaganda activities in Shanghai, Wuhan, Fuzhou and other places. His literary representative works include "Sinking", "Autumn in the Old Capital", "Spring Breeze Drunk Night", "The Past", "Late Osmanthus", "Huailu Xun", and so on.

In 1936, Yu Dafu was invited by Chen Yizhi of the Nationalist Government in Fujian Province to serve as a councilor and director of the Communique Office in Fujian Province. In Fuzhou, Yu Dafu called on the cultural community to actively carry out anti Japanese and national salvation activities. He served as a counselor and director of the Communique Office of the Fujian Provincial Government. In 1936, to commemorate the passing of Mr. Lu Xun, he wrote "Huai Lu Xun". In the early stages of the War of Resistance Against Japan, Yu Dafu served as the editor in chief of the supplement of Fujian Minbao.

In 1937, the Fuzhou Cultural Salvation Association was established, and Yu Dafu was elected as the chairman. And together with Yang Sao, he served as the editor in chief of "Salvation Literature and Art". Within 47 days, Yu Dafu published 20 works. In his inscription for literary youth Cheng Lifu at the Guanglu Fang residence, he wrote: Our generation should sacrifice for the Anti Japanese War. Afterwards, it was proven that he did indeed achieve this. He sacrificed his precious life for the country to resist fascism, but he still left us with many literary works.

This is the master bedroom upstairs, with a wicker cabinet that can be used to store clothes or books, and it is also very convenient to retrieve.

This large wooden box can hold things inside and is also a place for maids to rest. It is a box during the day and a bed at night.

The stairwell is also a place where adults often move around, usually grinding tofu and repairing tools. Here, it seems that we can also see Yu Dafu's happy childhood.

Re visit New Sands Island

One of our projects on this trip is to take a ferry to Xinsha Island in the middle of the river. This is also a very long-awaited trip because we have been to Xinsha Island twice a long time ago, and the farthest one is almost 10 years. At that time, people only needed three yuan to take a ferry and 15 yuan to cross the river by car, because prices are rising and it is definitely not enough now.

This is a newly built pier that looks very spacious

Although Hangzhou is prohibited from motorcycles, it is open to Fuyang, so we generally envy people with motorcycles for their freedom of movement and happiness like the wind. If it is a private car, parking is also troublesome due to various traffic rules. There is still a box of strawberries hanging on the back of the motorcycle, I don't know if it will be roasted when it arrives, but it is full of the charm of life. It has to be said that rural life is really very comfortable. On the left is the countryside, and on the right is the city. You can turn the accelerator and leave anytime and anywhere.

This is a roll on/roll off ship with a beautiful appearance. It cannot accommodate cars, but it can accommodate motorcycles and tricycles inside. The lower floor is completely empty, so motorcycles and electric scooters can be parked. There are chairs on both sides, and the top one has a very broad sightseeing view. Although it is only a river crossing and the journey is not very long, it is very comfortable to sit on it and take a look at the wind blowing on the river, and see the boats coming and going in the river.

The screen on the left side of the ship's boss is satellite navigation, which can accurately determine where you are and which ships are around you. Although the journey is shorter than a river, it only takes seven or eight minutes, but safety is also the top priority.

Last time I went there, I agreed with the captain to let us play with it, but I will also set sail

The houses on the island are also old houses with a hundred year history from various eras, and of course, they are mostly those with structures from the 1980s and 1990s, so we can see the traces of historical changes from several generations over there.

There are not many residents on the island, and most of them will open a restaurant or homestay. Rows of ginkgo trees make people feel relaxed and happy, and only with their eyes can they express their longing. In fact, in the camera, it has already shrunk a lot, and these autumn colors can only be appreciated by Qingqing.

This is the rice field after the autumn harvest, which has been cut off, but there are still some that are lush. The one left in the field is a hand-held tractor, and the latter part used for plowing should be dismantled.

The whole island is filled with ginkgo trees, which make people feel relaxed and happy. While praising autumn, they also feel heartbroken. The desolate beauty of autumn comes and goes, and the cycle of the four seasons is the better enjoyment. The interweaving feeling that the seasons give you.

Picking up an autumn leaf on the ground is the light in your eyes, and it is also the color of dreams and hopes for a bountiful harvest and satisfaction.

This is a drainage cedar tree on the island, which may have been used to prevent typhoons and erosion on the island at that time. But now it has become a holy land for photography.

There are various camping sites on the island that you can drive over to see the stars and the moon You can also start barbecuing. After all, it's already winter now, so there will be fewer tourists coming to visit. Alright, let's look forward to next year's warm spring and blooming flowers, and then visit Xinsha Island.

In the summer, the wind blows through the wheat waves here, just like the song sings, beautiful wheat waves surge under the sunshine

Of course, there is also the joy of farmers harvesting. There are a lot of things planted here, especially on land. This is when we see farmers harvesting red headed radishes, which are all big and beautiful, and also good companions on the dining table.

There are many wooden houses near the Moshangsang memorial archway, which is also very popular for outdoor life.

Taking a set of art photos on the island is also a very good idea, because the scenery on the island is indeed very beautiful.

Fuyang Yinhu Sports Center. Shooting venue for the Asian Games. Starting from Hangzhou, take National Highway 320 and you will soon reach Fuyang Yinhu Street. Approaching Kowloon Avenue, the "person" shaped roof catches the eye.

On November 24th, 2022, the National Shooting Championships (UFO event) fired shots at the Fuyang Yinhu Sports Center. This is the first national shooting competition held in Fuyang, and also the first national event hosted by the Fuyang Silver Lake Sports Center after its completion.

The Fuyang Yinhu Sports Center features lively birds and mountains on the curtain wall, and beautiful night lights on the eaves. The total construction area is approximately 83000 square meters, including a comprehensive hall, a UFO competition venue, an archery competition venue, and a modern pentathlon competition venue. It is the competition venue for the three major events of shooting, archery, and modern pentathlon at the Hangzhou Asian Games.

The Fuyang Silver Lake Sports Center, which is feasible, promising, tourable, and competitive, showcases a strong "Chinese style" in terms of layout, architecture, and landscape, starting from the landscape artistic conception.

The venue fully utilizes the advantages of mountains and water on three sides and hides the buildings in nature. The winding corridors, continuous upward steps, and beautiful curved slopes all embody the style of a water town in Jiangnan. It is no wonder that they won the Cultural Heritage Award in last year's "Top Ten Venues" selection for the Asian Games.

The venue design draws inspiration from the mountain outline at the end of the "Dwelling in Fuchun Mountain" painting; The 200 meter long "Jiangshui Lantern Belt" gradually changes brightness, making people feel like they are on the banks of the Fuchun River; 34000 blinds utilize digital simulation and changes in light and shadow to bring "Dwelling in Fuchun Mountain" to life

The venue includes the newly built shooting complex (shooting competitions, modern pentathlon fencing competitions), outdoor UFO shooting range, archery range, modern pentathlon laser running and equestrian field, news media and security center, stables and other facilities, as well as supporting facilities such as roads, greenery, and parking lots within the venue area. During the Hangzhou Asian Games, three major competitions will be held here: shooting, archery, and modern pentathlon. It is expected to produce 47 gold medals (18 for rifles, 9 for UFOs, 6 for moving targets, 10 for archery, and 4 for modern pentathlon).

The Silver Lake Sports Center officially opens 10 table tennis courts, 1 basketball court, and 6 archery courts to carry out team building activities and family parent-child games around table tennis, basketball, archery, and other activities, while ensuring important sports events and competitive training.

The Shooting Complex is the largest and most distinctive. The "human" shaped roof echoes the surrounding mountains, and the venue with eaves integrates the style of Jiangnan water town houses, integrating mountains and rivers, and creating a harmonious opening and closing. Because shooters need to be highly focused and avoid nervousness, natural colors such as white, wood, and blue are used inside the shooting range to relax and maintain emotional stability.

Among all the buildings in the Fuyang Silver Lake Sports Center, the uniquely designed comprehensive hall attracts our attention the most. Its curtain wall is not a flat surface, but a pattern of mountains and rivers composed of tens of thousands of rotating and swinging leaves. From a distance, it looks like a landscape painting with appropriate intensity.

The exterior wall is constructed using 34000 aluminum alloy rotating swing blades to create the "Fuchun Mountain Dwelling Map". It is a dynamic "Fuchun Mountain Dwelling Map" that can be formed under natural light irradiation at angles ranging from 15 to 85 degrees. First, 34000 pieces (swing blades) are numbered, and after numbering, they are programmed on the computer before being assembled on site. The night scene is illuminated by the embedded light strip of the aluminum alloy rotating swing blades, which is programmed by the computer to emit light

In the comprehensive museum, the mascot dolls, Asian Games themed commemorative coins, and various styles of cups from the Asian Games licensed merchandise store... The dazzling Asian Games themed surroundings will make you feel "difficult to choose".

The lobby inside sells a variety of Asian Games licensed products, with a wide variety of badges, plush toys, stationery, and various environmentally friendly bags to choose from. These are also souvenirs that many athletes will bring back after the Olympics.

The basketball court with a particularly exquisite roof is on the third floor

There is also a shooting preliminaries venue on the second floor of the comprehensive hall, with a semi open space that allows players to have a clearer view. The columns and some of the ceiling surfaces here are made of ecological wood. The main purpose is to prevent the rebound of stray bullets. Once the bullets are fired into the ecological wood, they will be directly embedded without rebounding and will not cause secondary damage. In the 2023 Hangzhou Asian Games, let's look forward to Chinese shooting athletes achieving better results at the Fuyang Yinhu Sports Center.