★ Tourist location: Suzhou Wujiang Tongli Jingsi Garden

Scene 19: Nongbi. This attraction is very inconspicuous. I have passed it for the first time and jumped directly to the next attraction. Maybe I was a little obsessive-compulsive, or maybe the significance of visiting this small garden again was to stroll through it one scene at a time, so I went back with perseverance. In fact, I still didn't find it when I walked back again. It wasn't until I came back that I saw two words beside the pavilion that were not very eye-catching:"Nongbi". Then he turned his head and looked to the side. It was indeed possible to fill the pool with "green" water.

Chapter 20: Borrowing Hongxuan. This is an open pavilion, rectangular in shape, with benches on three sides, allowing you to rely on the railings to enjoy the scenery. It is built next to the lake and faces the water on three sides, with a wide view. Unfortunately, I didn't see lotus flowers in the lake, and I felt like something was missing. "Borrowing red", isn't it the red of a lotus flower?

There is a stone in the pavilion with "Golden Horse and Cloud" on the back. In fact, when I didn't see these four words, I really didn't expect the shape of this stone to be

A horse that flies through the clouds.

Chapter 21: Luoshen Lingbo. If I hadn't looked at the map, I wouldn't have known where this stone was. Because there is a stone visible from the borrowed red pavilion. Although the charm of "Luoshen Lingbo" cannot be seen, it is still a very delicate and big stone. Later, following the plan, I finally found this piece of "Luoshen Lingbo" at the other end of the lake. It really still has a bit of this flavor.

Chapter 22: Tianxiang Bookstore. It was still open the last time I came here, but this time I found the door closed. However, the Wukang stone at the door can finally take a good look at its color this time, although I can't see any characteristics.

Chapter 23: Tea House. It is next to Tianxiang Bookstore, but it is not open. It may be still during the epidemic, and the teahouse is not open.

Chapter 24: Four sides of the flower hall. I didn't pay attention to this attraction last time I visited. In fact, I couldn't determine which building was a four-sided flower hall after searching around, because the building next to the tea house was not open. There is a two-story pavilion by the lake without tying boats and a small bridge next to it. It looks very elegant. Unfortunately, the passage here is blocked and said to be under maintenance. When we came here three months ago, it was under maintenance. I don't know when it will be repaired!

Chapter 25: Eastern Residential Complex. This group of buildings has a foyer, a sedan hall, a Jingyuan Hall, a brick gate building, and a Miss Building. Although the scale is not large, it can be said that although it is small, it is complete with all five organs.

Entering the foyer, the layout is very simple, with the plaque reading "Virtue Carrying Road". Jingyuan Hall should be the main hall, but it is still very magnificent. This is used for receiving guests and friends and holding ceremonies. It is the largest and beautifully decorated building in the residential complex. The plaque "Jingyuantang" was inscribed by Mr. Sun Yiqing, former director of the State Administration of Cultural Heritage, and below it is "Jingsi Garden Story". The two old beams above the hall are painted beams with double baggage in the Ming Dynasty, which is more common in the construction and ascent of the south. On both sides of the screen are a pair of "mountains, rivers and rain" ground screens, which were objects belonging to Hu Shu during the Daoguang period of the Qing Dynasty. The mahogany base is carved with exquisite Yunlong and playful beads, and four pieces of dark green marble naturally form the "mountains, rivers and rain" picture. The house behind it is a two-story building. As soon as you go out, you will find the courtyard. The bluegrass blossoms bloom just right and bloom brilliantly in the scorching sun. However, there were still two scenic spots I hadn't seen all the way. Although there were two closed doors next to the corridor, I still didn't give up and went back and searched again.

Chapter 26: Shouhai, Foshan. This stone is on the other side of the residential complex. Unfortunately, every entrance is locked and can only be seen through the glass window. There are small slopes, lake water, stones, pavilions and pavilions. It is like a garden in a garden. Maybe it is also the garden of Jingsi Garden.

Chapter 27: Silver Fox watches the moon. This stone, like Shouhai in Foshan, is a locked garden, so we can only look at the stone through the glass.

Chapter 28: Yongquan Tower. Walking across the folded bridge on one side of the residential complex is Yongquan Tower. This is another set of landscape sketches. What's even better is that a white small bridge has been built in the house built on the water.

Chapter 29: Perth Township Pavilion. Coming out of Yongquan Tower is the Perxiang Pavilion, but the door is still closed. In fact, this is a restaurant, and the restaurant was closed during the epidemic.

Chapter 30: Understanding the Stone Mountain House. This is a relatively large-scale building in Jingsi Garden. Various stones are displayed on the two floors, all of which are relatively large. There is a stage opposite the mountain house. It is an antique building, but it is too new and makes people feel unimpressed. There was a row of lotus flowers in front of the stage, but at this time, the lotus flowers seemed to have passed their blooming season and looked a little sluggish in the sun.

Chapter 31: Ordinary alleys. It may be said to be an ordinary alley, but it is actually not so ordinary. After all, it is in Jingsi Garden. It's just a group of food streets, and of course it won't open at this time. This group of alleys and houses is built on the lake and enjoys the scenery while eating. It is really a thoughtful design.

Chapter 32: The Ancient Moonlight Pavilion. This pavilion is built on a rockery, right next to the stage, and also the courtyard that comes out from the residential complex. Therefore, you can see the lively and blooming sky grass flowers in the pavilion.

Chapter 33: Hongya Hall. Formerly known as the Tianwang Hall, it was built during the Daoguang period of the Qing Dynasty. It was protected from Danfeng Street, Renmin Road, in Shanghai's Old Chengxiang, to Jingsi Garden. The three Lingbi stones are shaped like three phoenixes and were found in the old pit of Huashigang on Fenghuang Mountain, Lingbi County, Anhui Province.

It leads to Qingyun Building from the side. This time, the door was actually open. When I walked in, I saw that although there were stones inside, it was actually a place similar to a teahouse or a club. The building opposite is closed, and there are more stones displayed there. However, the Qingyun Tower of such a large scale is not in the 36 Scenery.

Chapter 34: Shuiyun Pavilion. Shuiyun Pavilion occupies the best position on the lake. From here, it is the best perspective to see Heting Bridge.

Chapter 35: The Stone Poetry Gallery of Past Dynasties. Back at Qingyun Peak, there is a corridor next to it with poems about stones from past dynasties. It is really because Jingsi Garden was built too late and there are no excellent poems about the garden.

Chapter 36: The Great Strange Stone Hall (Exit). To say that Jingsi Garden really makes full use of resources, its entrances and exits are ranked among the 36 scenic spots. There are indeed many strange stones placed in the empty house.