The seventh batch of representative list of intangible cultural heritage in Beilin District was announced

inheriting Intangible Cultural Heritage

Recently, Beilin District of Xi'an City announced

Representative List of the Seventh Batch of Intangible Cultural Heritage

Intangible cultural heritage projects included this time

There are 19 items in five categories

Involving traditional music, folk art, and traditional art

Traditional skills and traditional medicine

In accordance with the "Intangible Cultural Heritage Law of the People's Republic of China" and the "Regulations on Intangible Cultural Heritage of Shaanxi Province", in accordance with the procedures of application, review, publicity, etc., and after deliberation at the district government executive meeting, it was decided to include Guangling Guqin performance skills, Shaanxi Allegro, Stele Forest Color Paper-cutting, and ancient building miniature production skills, 19 projects including Beilin District's seventh batch of intangible cultural heritage representative projects are included in the list of representative projects of Beilin District and are now announced.

I. Traditional music (4 items)

II. Quyi (1 item)

III. Traditional art (1 item)

IV. Traditional skills (12 items)

v. Traditional medicine (1 item)

Intangible Cultural Heritage is

A treasure of human civilization

Let me show you some now

In the seventh batch of representative intangible cultural heritage list

Intangible cultural heritage cultural skills

Guqin playing skills

Guqin, also known as Yao Qin, Yuqin, and Qixian Qin, is a traditional Chinese stringed instrument with a history of more than 3,000 years and belongs to the silk of the eight tones. The guqin has a wide range, a deep timbre, and a long residual sound.

Guangling Guqin Playing Skills

The Guqin art of the Guangling School is one of the most important schools of Chinese guqin art. Its history of generation and development is almost synchronized with that of Chinese guqin art. Its basic content and artistic characteristics not only follow the general laws of guqin art, but also have its own uniqueness and originality.

Yao Men's Guqin Playing Skills

The Yao Menqin faction started from Yao Bingyan, a disciple of Xu Yuanbai of the Zhejiang faction, and was a branch of the Zhejiang faction. Yao Bingyan is good at composing music and composed more than 50 songs in his life. The piano music written in the music is characterized by a strict attitude and loyalty to the original score. Therefore, there are many piano tunes written independently by the Yao School.

Wumenqin School Performance Skills

Wu Men's piano learning has a long history. During the Spring and Autumn Period, Yanzi transformed string songs into customs and spread piano skills in Wu. During the Eastern Han Dynasty, Cai Yong taught the piano at the Wu Hui for twelve years. He spread the story of Jiao Weiqin in the Wu School and spread the story of Jiao Weiqin. Zhao Yaeli, a fiddle player in the early Tang Dynasty, praised "The sound of Wu is clear and gentle, like the Yangtze River flowing widely and passing slowly, with the style of a scholar of the country." During the Ming and Qing Dynasties, the Wu School successively emerged from Yushan and Guangling schools. Wu Lansun and Wu Jinyang, two guqin masters, founded the Wumen Qin School on the basis of continuing the tradition, which was integrated by Wu Zhaoji, integrating the achievements of the Wu School's guqin.

Qin School Guqin Art

The style and artistic expression of the Qin school guqin, which was spread in Xi'an, the ancient capital of the thirteen dynasties, are different from other qin schools. It mainly focuses on the singing of the qin song, supplemented by ensemble or solo. The singing of the qin song emphasizes: harmony, tranquility, clarity, distance, ancient, light, gentle, easy, elegant, beautiful, bright, colorful, clean, moist, round, firm, macro, fine, flowing, healthy, light, heavy, late and fast.

Shaanxi Allegro

Shaanxi Allegro is a folk art form of banchanting style. It uses Guanzhong dialect as the standard language and has forms such as single-mouth, lip-mouth, and mass mouth. Its rhythm is bright, its local accent is mellow, its sonorous and passionate, and it is humorous. The performance method is to perform the tables according to the rhythm, but "commentary" or "prose" can be added in the middle.

Colored paper-cutting in the forest of steles

Tu Yonghong is a master of Chinese folk art and the fifth generation inheritor of Xi'an paper-cutting. She integrated the innocent and vigorous paper-cutting style of the north with the delicate and flexible paper-cutting characteristics of the south, gradually forming a paper-cutting style that is delicate, both form and spirit, and unique. She also developed new works of multi-layer paper-cutting, breaking through the traditional paper-cutting. Plane layer emphasizes three-dimensional effects and expands the expression space of paper-cutting art.

Miniature production skills of ancient buildings

Ancient architectural model making skills, commonly known as "small samples", are traditional handicrafts produced with the development of ancient architectural construction technology. In 2014, they were included in the fourth batch of national intangible cultural heritage list.

Paddy field clothes making skills

"Paddy field clothes" were born in the Tang Dynasty and flourished during the Ming and Qing Dynasties. Because the paddy field clothes are somewhat similar to the monk's hundred yuan clothes, modern archaeologists believe that the paddy field clothes were transferred from the monk's clothes using splicing technology. The design inspiration comes from the monk's cassock, but the two are very different in color. The "paddy field clothes" are worn for the general public. The clothing is no longer limited to gray tones, but is made of scattered fabrics of different colors and materials. The overall color blocks are intertwined, independent of each other but forming a whole.

Traditional ancient method of leaching powder

China's traditional powder leaching technology has a long history and is an ancient production process. The word "Li" traditionally refers to the dripping of liquid. It is a paste that can drop. Soil powder and glue are mixed in a certain proportion and passed through a special powder tip tool to squeeze it on the surface of the object to form lines with three-dimensional effects to express the pattern and achieve the decorative effect of shallow embossed. This method is called "Li" in the term. This process is usually used for local decoration such as traditional murals and statues.

Opera dough sculpture making skills

Dough sculpture refers to the handicraft technique of making cooked dough with flour, glutinous rice flour, glycerin or clear flour as raw materials, and then kneading it into various flowers, birds, fish, insects, scenery, utensils, characters, animals, etc. with hands and various special shaping tools. Commonly known as flour flower, gift steamed bun, flower cake, and dough kneading person.

Lock embroidery traditional reproduction skills

This is an ancient embroidery that appeared in the Warring States Period. If you look carefully at the embroidered lines, you can see that they are interlocked like locks. Nowadays, many cultural relics in unearthed tombs are embroidered in this way. This embroidery method must be used when restoring cultural relics. However, there are currently few people who master this skill, so this unique skill is particularly precious.

I-style sachet making skills

The sachet was first called Rong Chou. In Qu Yuan's "Li Sao", there was "Hu Jiang Hedge and Pizhi Xi, and wear Qiu orchid as a pendant." The spices at that time were Pizhi and Qiu orchid. There is still a name for Rong Chou in the Ming Dynasty.

Fine gold and silver craftsmanship

Gold and silver fine craftsmanship is a traditional craft for making gold and silver utensils. The gold and silver utensils made are mainly used for indoor furnishings and appreciation, and also have practical functions. The skills of making gold and silver fine workmanship have a long history, dating back to the Shang and Zhou Dynasties, and have a history of more than 3,000 years. During the Eastern Han Dynasty, complete gold and silver making handicrafts had been formed. By the Ming and Qing Dynasties, the use of enamel and cloisonne craftsmanship promoted the development of gold and silver making, making the gold and silver utensils made more crystal clear and shining.

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History moves forward and cultural context continues

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